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	<title>Comments on: Selling Your Work in New York Galleries/An Insider’s Story</title>
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	<link>http://www.artsyshark.com/2010/01/25/selling-your-work-in-new-york-galleriesan-insider%e2%80%99s-story/</link>
	<description>A Site for Emerging Artists</description>
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		<title>By: Gabrielle Tsounis</title>
		<link>http://www.artsyshark.com/2010/01/25/selling-your-work-in-new-york-galleriesan-insider%e2%80%99s-story/comment-page-1/#comment-1810</link>
		<dc:creator>Gabrielle Tsounis</dc:creator>
		<pubDate>Mon, 26 Jul 2010 04:39:08 +0000</pubDate>
		<guid isPermaLink="false">http://www.artsyshark.com/?p=644#comment-1810</guid>
		<description>Im going to apologize for my spelling right now, 

Yeah, vanity galleries that take advantage and make 2,500 or more off an artist who just wants exposure.  I turned it down, my stomach gave me a warning sign.  Not to mention, it would go agaisnt everything I believe in, being true to yourself and to be an artist you shouldnt have to pay to show your work.  Your work will be enough, and they will trust it.  Yes, with exeption of other costs for preparation but a fee? to show? no, absolutely not. That means they want a deposit down for them, incase you dont sell.   again, that goes back to what you were saying about bussiness.  


Its really ironic you mentioned that, because only untill recently after my last show and investing into my website I thought about the money I spend vs what I take home from selling one painting from the show i worked so hard for. The business aspect, I am now forced to ponder about, which is uncomfortable i might add because I can not do basic math. ( thanks to my creative dominant right side brain)  The percentage from the gallery owners is a problem trying to keep your art at a reasonable buyable rate.  And in the end, the shows, expierence, more paintings, improvement in your work, education...well who is this all for? and why? ego? if so, or just personal fufillment, why? without it, could you survive and keep your identity and deal with transformation.  The real meaning, and that is all an artist should work for, not letting other distractions diminish that energy.   You have brought SO many questions on the surface for me, that i needed for years. direction to find direction, thats a start at least.
Yes, thankyou i definetly need to wear the bussiness hat more often! and carry a calculator when someone tells me 40% thier taking after telling me 30% when I first met them.  You definetly cant wear your heart on your sleeve at the same time you got your business hat on! lol
thanks for the reply
you should write a book, or teach classes/seminars of these topics,  ill be there for sure.</description>
		<content:encoded><![CDATA[<p>Im going to apologize for my spelling right now, </p>
<p>Yeah, vanity galleries that take advantage and make 2,500 or more off an artist who just wants exposure.  I turned it down, my stomach gave me a warning sign.  Not to mention, it would go agaisnt everything I believe in, being true to yourself and to be an artist you shouldnt have to pay to show your work.  Your work will be enough, and they will trust it.  Yes, with exeption of other costs for preparation but a fee? to show? no, absolutely not. That means they want a deposit down for them, incase you dont sell.   again, that goes back to what you were saying about bussiness.  </p>
<p>Its really ironic you mentioned that, because only untill recently after my last show and investing into my website I thought about the money I spend vs what I take home from selling one painting from the show i worked so hard for. The business aspect, I am now forced to ponder about, which is uncomfortable i might add because I can not do basic math. ( thanks to my creative dominant right side brain)  The percentage from the gallery owners is a problem trying to keep your art at a reasonable buyable rate.  And in the end, the shows, expierence, more paintings, improvement in your work, education&#8230;well who is this all for? and why? ego? if so, or just personal fufillment, why? without it, could you survive and keep your identity and deal with transformation.  The real meaning, and that is all an artist should work for, not letting other distractions diminish that energy.   You have brought SO many questions on the surface for me, that i needed for years. direction to find direction, thats a start at least.<br />
Yes, thankyou i definetly need to wear the bussiness hat more often! and carry a calculator when someone tells me 40% thier taking after telling me 30% when I first met them.  You definetly cant wear your heart on your sleeve at the same time you got your business hat on! lol<br />
thanks for the reply<br />
you should write a book, or teach classes/seminars of these topics,  ill be there for sure.</p>
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		<title>By: Rhonda Schaller</title>
		<link>http://www.artsyshark.com/2010/01/25/selling-your-work-in-new-york-galleriesan-insider%e2%80%99s-story/comment-page-1/#comment-1809</link>
		<dc:creator>Rhonda Schaller</dc:creator>
		<pubDate>Mon, 26 Jul 2010 01:45:13 +0000</pubDate>
		<guid isPermaLink="false">http://www.artsyshark.com/?p=644#comment-1809</guid>
		<description>Hi Gabrielle,
Thanks for you comments, and I&#039;m glad this blog article was helpful. Your point about scams and vanity galleries is well taken, and yes - they should be talked about too. 

What comes to mind is how hard it is to be an artist, and to want to be &quot;out in the world&quot;, no matter what the cost or opportunity.  To think about art as a business, to wear 2 hats, a creative hat and a business hat is necessary. When wearing your business hat, it is a good rule of thumb is to consider what is the return on your investment. It is called ROI - every business considers it. We need to as well.

Will the particular show, the fee you pay, be an investment in your career. It always comes down to what does success mean for you, and then weigh every investment against it. 

Anyway, you got me thinking - thanks. More to come...</description>
		<content:encoded><![CDATA[<p>Hi Gabrielle,<br />
Thanks for you comments, and I&#8217;m glad this blog article was helpful. Your point about scams and vanity galleries is well taken, and yes &#8211; they should be talked about too. </p>
<p>What comes to mind is how hard it is to be an artist, and to want to be &#8220;out in the world&#8221;, no matter what the cost or opportunity.  To think about art as a business, to wear 2 hats, a creative hat and a business hat is necessary. When wearing your business hat, it is a good rule of thumb is to consider what is the return on your investment. It is called ROI &#8211; every business considers it. We need to as well.</p>
<p>Will the particular show, the fee you pay, be an investment in your career. It always comes down to what does success mean for you, and then weigh every investment against it. </p>
<p>Anyway, you got me thinking &#8211; thanks. More to come&#8230;</p>
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		<title>By: Gabrielle Tsounis</title>
		<link>http://www.artsyshark.com/2010/01/25/selling-your-work-in-new-york-galleriesan-insider%e2%80%99s-story/comment-page-1/#comment-1793</link>
		<dc:creator>Gabrielle Tsounis</dc:creator>
		<pubDate>Fri, 23 Jul 2010 22:32:56 +0000</pubDate>
		<guid isPermaLink="false">http://www.artsyshark.com/?p=644#comment-1793</guid>
		<description>I needed so many answers and I finally got them!  I just recently learned about vanity galleries and turned down the so called offer! Those should be mentioned too and all the scams out there for vunerable artists who need a ego boost.  Well, I was really naive but now I see things clearly thanks to you!  I def will approach galleries differently and do more research, possibly field journaling for my degree too.  Everything was very helpful, inspiring and your blunt approach is a must for this topic.

Thankyou, very much apprietated!</description>
		<content:encoded><![CDATA[<p>I needed so many answers and I finally got them!  I just recently learned about vanity galleries and turned down the so called offer! Those should be mentioned too and all the scams out there for vunerable artists who need a ego boost.  Well, I was really naive but now I see things clearly thanks to you!  I def will approach galleries differently and do more research, possibly field journaling for my degree too.  Everything was very helpful, inspiring and your blunt approach is a must for this topic.</p>
<p>Thankyou, very much apprietated!</p>
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		<title>By: Michelle Rumney</title>
		<link>http://www.artsyshark.com/2010/01/25/selling-your-work-in-new-york-galleriesan-insider%e2%80%99s-story/comment-page-1/#comment-446</link>
		<dc:creator>Michelle Rumney</dc:creator>
		<pubDate>Thu, 25 Mar 2010 23:33:06 +0000</pubDate>
		<guid isPermaLink="false">http://www.artsyshark.com/?p=644#comment-446</guid>
		<description>Rhonda, thank-you so much for such a comprehensive and downright practical post! 

Demystifying the professional art world for artists taking their first steps - at any age, not just straight out of college! - is soooo needed. 

I found this post both inspiring and empowering and my takeaway is &quot;Any One Can&quot; - if they feel passionately enough about their work and are prepared to apply these principles consistently to get that work out into the world.

Woo-hoo!! Now we just have to get on with it!

Thank-you!</description>
		<content:encoded><![CDATA[<p>Rhonda, thank-you so much for such a comprehensive and downright practical post! </p>
<p>Demystifying the professional art world for artists taking their first steps &#8211; at any age, not just straight out of college! &#8211; is soooo needed. </p>
<p>I found this post both inspiring and empowering and my takeaway is &#8220;Any One Can&#8221; &#8211; if they feel passionately enough about their work and are prepared to apply these principles consistently to get that work out into the world.</p>
<p>Woo-hoo!! Now we just have to get on with it!</p>
<p>Thank-you!</p>
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		<title>By: Sarah Haviland</title>
		<link>http://www.artsyshark.com/2010/01/25/selling-your-work-in-new-york-galleriesan-insider%e2%80%99s-story/comment-page-1/#comment-146</link>
		<dc:creator>Sarah Haviland</dc:creator>
		<pubDate>Sun, 14 Feb 2010 18:05:10 +0000</pubDate>
		<guid isPermaLink="false">http://www.artsyshark.com/?p=644#comment-146</guid>
		<description>Excellent, clear, and compassionate article about the real art world that I will recommend to artists and students! Thank you Rhonda!</description>
		<content:encoded><![CDATA[<p>Excellent, clear, and compassionate article about the real art world that I will recommend to artists and students! Thank you Rhonda!</p>
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