A Site for Emerging Artists
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I spent twenty years as a ceramic artist with a production studio, and eight years selling for art publishing companies. Upon graduating college with a degree in fine art, I had no business experience but learned the hard way how to carve out a career in art. This blog is intended to be an informative and inspirational source to emerging artists and students, who are finding their own way in this business.
Homepage: http://www.artsyshark.com
Posts by admin
Featured Artist Patrick Bremer
Apr 22nd
Artsy Shark presents the exquisite portfolio of British artist Patrick Bremer. Visit his website for more from this versatile artist.
Right now I’ve just finished working on Satyr and I’m getting ready for an Open House exhibition in Brighton throughout May. Rubens painted Two Satyrs in 1618 and I love the idea of taking these beautiful old paintings and giving them my own twist.
Up until this one and the dead bird collages, my work has been mainly traditional portraiture in oils or collage, often to commission. I am always seeing people around town that I want to draw or paint, and I used to paint a lot of the locals at a pub I worked at a few years ago.
I always loved painting and I grew up in a very artistic family, my father being a painter and art teacher. I also remember being really influenced by seeing lots of the old Derek Riggs Iron Maiden album covers when I was little, as my sister was seeing a guy who was obsessed with them – the colour and imagery in those was like nothing I’d ever seen before, and has remained a pull to art ever since for me.
After that, my main influences were, and still are figurative painters such as Lucien Freud, Euan Uglow, Francis Bacon and Jenny Saville. It was the way these artists dealt with flesh in their work – Francis Bacon in a very visceral and violent way, whereas Uglow would meticulously measure every part against the other. I wanted my work to be a combination of both – loose and carefree mark-making that leads to happy accidents in the work, but also carefully planned out. I am now aiming to achieve that juxtaposition through collage as well as paint.
I ended up doing collage out of circumstance. I am lucky to have a good studio, but in the winter months it is so cold in there that I wanted to find a way of working at home in the evenings, but without destroying the house with paint. I had a pile of old magazines so I began cutting them up and the first one I finished was of my nephew (George). Since then they have been growing larger and more experimental, getting freer with the knife each time and trying to treat them in my mind as paintings or drawings.
I love the exploration involved with collage work. Some pieces within it are chosen specifically because the image or text relates to the sitter, but others are left to chance. The pictures work on the first level as a portrait, but then you can move closer to explore and read the information within it. This is a new medium for me and I aim to push it as far as I can and see where it takes me. I’ve got some plans for some larger collages in the same vein as the Satyr one, and also want to start combining mediums – painting and collage together.
I also part time work as a secondary school teacher and this has really helped my own practice. Helping the children with their artwork often helps me to come up with new ideas and influences for my own. With art there is never a right or wrong answer, and I think it’s that factor that draws a lot of the children to it too – you never know how a piece will end up when you start it.
Patrick Bremer lives and works in Brighton UK, and has been awarded the De Laszlo Foundation award for his portraiture by The Royal Society of Portrait Painters. He received his BA in painting from Wimbledon School of Art in London.
Are You Ready for Prime Time?
Apr 20th
By Carolyn Edlund
Take stock of your portfolio, your line, your sales, and be honest – are you presenting totally professional work to the marketplace? Or are you not quite ready for prime time? If not, it’s better to be realistic and make plans to improve what you are offering for sale rather than complaining or stressing because your work is not selling.
Here’s a quick checklist for evaluating your presentation:
- Do you have a signature style of work that makes you stand out from others?
- Is your portfolio large enough to present, and do the elements work together?
- Is your portfolio enhanced by presenting it as a whole collection? Would it work seamlessly in a gallery show, or as a handmade product line in a retail store?
- Are the quality of the materials and the framing or the finishing of the item impeccable? Is the back as finished and professionally treated as the front?
- Do you work with an accomplished level of skill, or do you need a bit more polishing?
- Do you have accompanying marketing materials, such as postcards, sell sheets, brochures, etc. which look professional and are well-written and branded?
- Is your website a reflection of all this?
If it’s hard for you to gauge these answers, take a look at the work of another artist or craftsperson you really admire, and who has been selling well in the marketplace for a number of years. You will easily see the maturity in their presentation, the visual or tactile quality, and why it’s appealing and selling to collectors and/or the public.
If you have the opportunity to attend a trade show, even if it’s not strictly handmade, observe closely and make note of the elements that you see running through the displays of others who are experienced and successful. This type of research will educate you on how to present your own work for maximum impact. Notice how the display itself enhances the art or the craft product. Think of ways you can use presentation to make your work stand out as well.
If you’re not really ready for prime time, that’s OK too. We are all in a process of learning and improving throughout our careers. Plan what you can do to really hone your craft and sharpen your skills. Trying something new even if it doesn’t work, and just practicing in your studio are worthwhile. We learn more from our mistakes than our successes.
See more of artist Olga Gouskova's work by visiting her website.
Featured Artist Megan Lewis
Apr 18th
Artsy Shark presents the work of featured artist Megan Lewis. She is currently a senior at Ringling College of Art and Design studying Illustration. In May she will have graduated with a degree in BFA. Check out her blog for more information about this emerging artist.
What are your goals?
My short-term goal is just to get my work out there and seen. I would love to have my work display at an exhibition. I am regularly in group shows, but to be displayed as a solo artist would be ideal. Becoming my own artist, and having my own voice is important too. My artwork up to this point has been assigned, but after I graduate I will have more time to do my work and hope to really blossom and grow into my own style of art.
What are you working on now?
Well, right now I am working on my senior theses entitled “Good Times” That’s all that I can share with you, but just know that I am very excited and can’t wait for everyone to see it in May. I am also finishing two other illustrations that were assigned in my advanced media and advanced computer illustration class, both being two of my favorite classes that I have ever taking as a student. For now, when I do have time I like to do small portrait painting, 12 x 12 sizes.
What inspires you?
I am inspired by everyday moments and experiences, simply ones. The whole world is a giant experience and anything can spark an idea for me. I can say that music is a big part of my creative process; I listen to a lot of R&B soul while I work.
My favorite Artist that I look up to is the late Ernie Barnes. His work displays the same moments that I like to portray. My work can only blossom from this point, and that makes me really excited about my future. I can’t wait to get out there!
The Fine Art of Connection
Apr 16th
How Artist Destry Sparks Made 5,000 Facebook Friends and Fast-Tracked His Career
Mixed media artist Destry Sparks originally got a Facebook account when his wife set it up as a joke. Now not only has he embraced the idea of social media, but has taken it to the next level to promote his art, his shows, other artists, galleries and discussion.
What merits attention to this Facebook user is that not only has he made connections, but how he interacts with online friends to schedule gallery shows up and down the east coast and draws crowds to openings. He promotes other artists whose work he admires, and makes introductions to movers and shakers who can enhance other artist’s careers as well.
Destry’s approach is that his networking relationships with others should be a win/win proposition. He learns from other artists, introduces people, finds out about opportunities, and passes them on to those who can benefit. As a result of his connections, and deliberately choosing to interact with artists and curators who have influence, his show schedule is extremely busy – sometimes leaving only a few weeks to create between gallery openings.
As his career evolves, Destry has found that being diligent about Facebook and other social networking sites is an integral part of his job; he couldn’t imagine not being connected. Noting that the old gallery system in which an artist was more passive is declining, he is pleased that today artists have more control over their publicity, sales and schedules. He sums it up: “Most of the good things that have happened, I can trace to contacts I have made online.”
At his recent solo exhibition in New York, Destry met dozens of online contacts whom he had corresponded with for years. While the venue drew its usual local art going crowd, some of the attendees drove from neighboring states to see Sparks’ work for the first time time in person after having enjoyed it online. He is able to use Facebook as a tool not only promote his work, but to build relationships and collaborate on new projects with different players in the art world. From the reception, plans are already underway to participate next year in international art fairs and leading festivals across the country.
What’s next? This fall Destry has solo exhibitions at UNC-Charlotte and at St. Thomas University in Miami, FL. He will be putting together a collaborative show called “Looking for Answers” to be shown at Flynndog during the summer of 2012 in Burlington, Vermont. Besides the national shows, Destry’s work is normally available at his in-state North Carolina galleries at www.twogalleries.net and Inkstone Gallery .
Destry Sparks’ website prominently invites Facebook friends, offers exhibition opportunities to artists who submit their work, and makes it very easy to interact with him. The uncluttered and straightforward design includes an “about” statement and image of his work on the home page, but his Facebook page is where his most recent creations are first presented.
At the Facebook limit of 5,000 friends, Destry cannot invite more people to connect, and sometimes has to drop inactive friends to add new ones. His suggestions for interacting successfully on Facebook and building your own art career:
- Invite friends who are artists or curators you admire and want to know better
- Send event invitations to your list for your upcoming events
- Promote other artists, and pass along opportunities for them
- Introduce people on your list who may benefit from the relationship
- Use your connections as a chance to partner with others for shows and events
- Make the most of in-person networking with Facebook friends who attend your shows
- Make sure your communications are personal, not just advertisements
- Be persistent and stay involved. It takes time and effort to succeed.
Featured Artist Deana Mattos Diefenbach
Apr 14th
Deana Mattos Diefenbach is Artsy Shark’s newest featured artist. Enjoy her whimsical portfolio, and visit her shop on Etsy to see more of her work.
What are your goals?
I guess when I first started creating, my goal was to fulfill that inner creative desire that runs deep inside of me. It may be gardening, painting, building or fixing something. There is always the call to have the connection between my mind, heart and hands. As life went on, I had another goal to be able to sell my things – to at least support the creativity. This can be very pricey, especially when I have a love of supplies and buying new things to try out.
As selling started picking up and I felt the gratification of having others love my art, I started to feel a connection with the energy of others having pleasure in what I do. So now my goal is to be able to share my art with many. I love getting original art to appreciators of all ages and walks of life and also be able to share with them how to create their own art. I strive for my art to stir emotion and connection.
What are you working on now?
Oh, so many things . . . I am continuing in the fun of discovering reclaimed, recycled items to paint on. I am always trying to push myself to try new things and and new techniques. I have been really enjoying painting everyday objects and seeing the beauty around us that we take for granted. I am also involved with teaching and sharing art with kids at our local schools. This really is a back-to-basics passion builder for me, encouraging kids to keep thinking outside the box and really letting their own creativity bloom and grow. It seems that with all the other studies that passion is stifled, and this is one area where it should be encouraged. It reminds me to let my passion show through again.
What inspires you?
Everything! Life, nature, experience, family, weather, joy, adversity, food . . . Every daily experience and human interaction affects us in some way – what do we do with that, how do we handle it, what is our reaction. For me the answer to much of that is to paint and create. It is a release to much that I take in. I think that is why I am a ever-evolving and changing artist, because my life is as such, always changing, moving and growing.








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Featured Artist Leah Jay



