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Why You Should Hire Sales Reps – Or Not
Jul 1st
By Carolyn Edlund
Many creative entrepreneurs would jump at the chance for a sales representative to take their product line on the road and sell wholesale into retail stores. What an opportunity! Or is it?
Having a sales force can be an immense boost to your business growth, which is why big companies hire them. As an artist, craftsperson or designer, you could have the opportunity to hire sales reps as well. It may work beautifully, or may not work at all. Here are 7 Pros and Cons of hiring reps:
- Suitability. Reps who have an established book of business may consider carrying your products to enhance what they already offer the accounts in their territory. This means that if your work won’t “cross-sell” into their store accounts, your sales will fizzle. Take a look at what other manufacturers they are representing. If your product has a niche market, you need to work with reps who call on retailers in that niche with their other lines.
- Geography. Reps tend to work in geographic territories. Will your work sell in their region? If your products have a Caribbean flavor, having a rep in Alaska may be futile. Concentrate on parts of the country where your product would have broad appeal, and work with reps with an established presence in those areas.
- Practicality. Acting out of desperation, and taking any willing sales rep, won’t help your business. You may also be unrealistic about the number of sales they will make for you. In general, reps make 80% of their sales from 20% of their product lines, which means there are quite a few vendors who get little action. This is why it’s essential to hire a rep who is a good match.
- Preparation. You will have to provide product samples and sales materials for your reps, as well as have ongoing contact with them and support so that they can promote and sell your line effectively. This involves time and money. Are you ready for the commitment?
- Strategy. Many reps work in groups, with a manager in charge, and sales representatives in a number of territories. If you strike a deal with a group manager, you may be required to use all the reps in the group. In that case, you might have to let go of existing reps you have in conflicting territories. On the other hand, many groups don’t require that their reps are “exclusive”, so they can represent non-competing outside lines, which means you are contracting with an individual. Gain an understanding of the situation before you sign an agreement with a rep or a group.
- Finances. Reps in the gift and home decor market typically make 20% commission, and you must pay them on time to ensure that they will continue to promote your line. Remember, reps are “straight commission” and have many expenses of their own. If you can’t afford the commission, you either need to reconsider your pricing, be able to reduce your other expenses, or pursue other ways of selling your line.
- Planning. When a reps calls on a store account, the first question they hear is “What’s new?” As a manufacturer, you will need to have new product releases frequently enough so that your samples and sales materials come out of their bag and get shown, and sold, to the account. Get clear on how often other manufacturers in your industry release new products, how often your reps call on their accounts, and what you can do to maximize their efforts on your behalf.
There can be huge benefits to having effective sales representation, mainly that you will have opportunities that you never knew existed, and doors will be opened into new, exciting and profitable markets. Do your research so that you will be able to take advantage of this type of selling relationship and make it a great experience for both your company and your sales representatives.
Is There a Future for Trade Shows and Sales Reps?
Jun 7th
By Carolyn Edlund
Are these traditional forms of selling working any longer?
You might be under the impression that if you take your line to a wholesale trade show, you’ll be exhibiting at a venue which will produce lots of orders and expand your business quickly.
You might be under the impression that if you could only get some sales reps showing your line, it will be sold in stores all over the country, bringing increased income and keeping you constantly busy producing in your studio.
You also might be – wrong on both counts. Although I want to stress that I firmly believe that exhibiting at trade shows and having sales reps carry your line are still viable options, these two methods of selling have been going through a dramatic upheaval during the last ten to fifteen years, and that trend is accelerating.
With the advent of internet shopping and an abundance of websites, the face of commerce is continuing to change entire industries. Traditional methods such as traveling to trade shows to place orders for merchandise, or sitting down with a rep for an in-person appointment, have been in decline for quite a while. Still, those face-to-face meetings, and the personal relationships that develop from them, are the glue that creates customer loyalty and drives repeat orders.
Here are some of the problems that have come with current trends:
- Many independent retailers have closed. Chain stores have been overtaking the “mom and pop” stores for decades now – this is a national phenomenon. Combined with the poor economy, it has led to the closure of many stores who just couldn’t compete, or get loans for their ailing businesses. Empty storefronts are evidence that new independents are not taking their places.
- Prices for domestic goods are getting more expensive. At the same time, manufacturers are continuing to go offshore to produce merchandise – which floods the market with cheaper items that are putting U.S. small businesses on the ropes. This makes it essential for those in handmade industries to differentiate themselves and sell on value rather than price, and to choose their markets carefully.
- Many larger-sized gift and accessories companies have given up on an employee sales force, moving to outside rep groups so as to avoid offering salaries and benefits. A trend has emerged where these manufacturers then suddenly reverse course, dismissing all reps in an attempt to save on costs. After finding that an in-house customer service staff can’t make enough sales over the phone and online, outside rep groups are again hired. This type of whipsaw treatment leaves reps not knowing which end is up – and can cut their income dramatically, especially if they have lost core lines which can’t easily be replaced. Their smaller lines (that’s you) then suffer because they can’t provide the base income a rep needs.
- Sales reps are under increasing pressure, with costs such as gas and lodging skyrocketing, and fewer accounts to call on. For a rep to have a profitable day, they have to book enough solid appointments to make it worthwhile to get on the road. Sometimes that means they spend a lot of hours in the office prospecting and not so many outside. As a result, many long-time reps are leaving the business, and the next generation is not filling in the gaps.
- Trade shows are in a major transition, and will continue to evolve and consolidate. In the heyday of the 80′s and 90′s, creative industry shows had huge numbers of vendors, and competition was fierce. They have since shrunken in size, and many times the quality of merchandise being displayed has deteriorated. Quite often these events have moved to lesser-expensive cities and promoters themselves have moved to cheaper corporate headquarters and laid off staff to save on costs.
What’s a Creative Entrepreneur to Do?
Are there fewer opportunities to sell your work? Actually, no – there are more! With ecommerce, you now have a global audience, not just a local or national one. The answer lies in working smarter, evolving your business during this transitional period by identifying new trends and niche markets you can exploit, and creating strategies that enable you to grow rather than stagnate. Here are five ways:
- Diversify Your Income. By using multiple channels to sell your products, a varied stream of income is created. You can’t count on one method alone anymore. Selling both retail and wholesale, online and in-person, having a store and shopping cart on your site, and considering art licensing are all options that could work. Identify and experiment with different marketing strategies. Expand those that are working for you, and stay attuned to trends to stay on the cutting edge.
- Update your product mix. If you make bookmarks, and the world is buying Kindles, you have a problem. Research the market to find new product categories that are emerging, and how you can adapt to them. Also consider using techniques to boost the ticket on each sale to increase your profits.
- Create a professional website and use social media. Branding is essential to attracting attention and being identified. Make sure you have a dynamic presence online, using inbound marketing techniques and social networking to stay in front of your audience. This becomes an integral part of your whole package – without a professional, user-friendly website, you will be left behind.
- Be a partner to your reps. It’s not enough to send samples to a sales rep and expect them to perform. Provide everything they need to remove barriers to sales, making it easy for their buyers to say “yes”. If a rep is working smart, they are evolving into a consultative role with their customers and using new technology. This may mean reps are connecting with buyers via Skype, using your website to present new product releases, and maintaining an online presence such as a blog, Facebook, or YouTube to stay in touch and cement their business relationships. Do you have a pdf of your line sheet? Are you providing your sales force with plenty of sales aids, both physical and virtual, to make a great impression and reinforce your brand? Do you provide excellent customer service? Buyers are more likely to purchase when you have a serious business presence.
- Make smart choices on trade shows. Thoroughly research whether a trade show is right for you and your product line before you commit. Check exhibitor listings, and view their websites to scope out your competition. See whether the promoter has listed major attendees – are they your type of customer? Chat in forums with previous exhibitors for feedback on their experiences at the show. Walk the show before you do it to find out for yourself – this experience gives you tons of information, which could save or make you thousands of dollars. And when you do choose a show, make sure the promoter provides excellent communication. Look for lots of support in terms of pre-show informational webinars, and lectures and seminars on trade topics during show week as well.
You can survive – and thrive – in this changing world by increasing your level of awareness of how your potential customers are making choices and what they are buying. Both trade show promoters and sales reps themselves need to adapt, and you as a creative entrepreneur do also. When you transition your business along with the evolving market, you can stay “lean and mean” and take advantage of good practices to expand your business.
The author writes articles and provides consultation for creative entrepreneurs building their businesses, and has an ebook coming out later this year on Smart Wholesaling Strategies.
Artsy Shark Goes Threadless
Jun 3rd
By Carolyn Edlund
What’s the inside scoop on the fun, hip indie t-shirt company Threadless? They’re always recruiting artists to submit original designs that will look fabulous on t-shirts and other clothing to sell to their huge audience of shoppers. Yes, they want your original idea, but clearly state, “We’re talking an idea so amazing that your eyeballs may explode if you stare loo long!”
Artsy Shark went behind the scenes to find out exactly how this process works, and to discover if there is a secret to having your design chosen and land the $2,000 payout when it becomes one of the select handful of products for sale on their website. Via conference call with Threadless Community Director Mimi Henderlong and Artist Coordinator Rachel Gottesman (who gives thumbs up or down on initial submissions), it became clear that Threadless has taken a cool idea and turned it into a fanatical community of artists who support one another in the pursuit of saleable art.
Describing the submission process, Rachel explains that every day she receives about 200-250 designs from artists all over the world. Users download a submission kit from the Threadless site, and work with a program such as Adobe Illustrator or Photoshop to put their art on a template, shown either flat or on a model. There are guidelines however, and when they aren’t met, Rachel sends the submission back as “declined,” to be fixed and resubmitted. Rachel’s a stickler. No inappropriate or copyrighted designs, images too large or too fuzzy will get through. Lesson? Follow. The. Directions.
If you’re not confident or just want input, you can have your design critiqued by your peers first. When it is accepted (Yay!) it goes up on Threadless for seven days, put to a vote on a scale fro 0 to 5 from all visitors. This is where lobbying all your friends, contacts and even strangers can help get your unique design voted in as a crowd favorite. So post it on your Facebook page, and send emails and tweets to bump up your score – that’s encouraged. Warning: Voting on designs can be an addictive activity, resulting in your getting nothing else accomplished. So vote for your favorites, and then get back to work!
At the end of the week, your score gets averaged and the staff at Threadless (you can see them on the site – they’re the t-shirt models) get to pick their favorites from the best of the best. Then onto a final decision-making team who determines the winners. Voting scores and comments are very influential, but the mysterious process by which the finalists are chosen is the secret behind the success of the designs that make it to the marketplace, at about $20 retail per shirt (or as a hoodie, or childrens tee or onesie.) Each week about ten new designs are debuted for sale from previous submissions.
Winners are rewarded well for their hard work, receiving:
- $2,000 in cash
- $500 Threadless Gift Certificate (can be redeemed for $200 cash)
- $500 in cash each time your design is reprinted
How cool is that? Even if you don’t get your design chosen, you will most likely end up buying at least half a dozen t-shirt that you can’t live without, thereby living up to the Threadless slogan “Nude No More.”
Consultation Case Study: Freelance Illustrator
May 30th
By Carolyn Edlund
Recently, a freelance illustrator requested a consultation on the the issue of how to present oneself to potential clients. Does this case study offer useful information for your business also?
Background:
This is a freelance illustrator who has been successful working with a number of different types of clients. Her work is used to illustrate advertisements, articles, products and reports. An illustration agency provides her with 80% of her projects. Clients include art directors from ad agencies, marketing teams, publications, cosmetic companies, fashion houses, financial companies and some small businesses.
Challenge:
This talented artist has a diverse portfolio which includes work in ink, pencil, watercolor and graphics. She has been successful with all these mediums, but has been concerned for years that she might be perceived as unfocused because she has more than one style. She has considered working under different names, or even having separate websites for her different styles. Currently she is creating a website and wants guidance on how she can best present herself and her portfolio.
Goal:
Create an effective website with a presentation which will maximize sales of her services, with an emphasis on repeat business.
Strategies:
I suggested that she flip her perception of being “unfocused” due to her different styles, and use this versatility as a selling point rather than a liability. Her unique selling proposition is that she has multiple talents to offer, thereby becoming an even more valuable resource.
I recommended making her website Home page an “About” page, using her (professionally taken) photograph to create a sense of familiarity, as well as thumbnail links to the two categories that we divided her portfolio into. Text should be language which presents her professional background, but is primarily directed toward speaking her customer’s language, using key words about what is important to them – and offering solutions for them.
How would this text look? It could, for example, mention meeting deadlines, quick turnaround, flexibility, visuals that get results. These should be presented in short paragraphs or bullet points to create bite-sized pieces of information that are easily read. I suggested she use a “soft pitch” rather than “hard sell” to connect with prospective customers in an effort to pique interest and start developing trust, which is the basis for all relationships.
This strategy has the long-term aim of the freelance illustrator being viewed as a consultative partner to clients, thereby setting up relationships which will lead to repeat business. By presenting herself as an effective and reliable problem-solver, she conveys a greater sense of value than an illustrator working on only one project. I advised her to fully discuss her business strategy with her agent, so that together they can promote her business in a unified way.
Feedback from the Artist: I really love the idea you present of the illustrator as consultant, and not just a creative person who draws pictures for other people. It puts the illustrator in the same sphere as a graphic design consultant rather than an artist doing their own thing. I also believe planting the seed in illustrators that what they do is a business rather than a hobby-type occupation will give them the confidence to be more businesslike with both small and larger clients. I think it's a great idea to make this a collaborative effort with the illustrators agent (if they have one) or if they are seeking an agent. The 'about' page also works as a calling card to potential illustration agents seeking new talent. Of course the illustrator can go solo and not have an agent, but I find having an agent is a nice introductory way in dealing with clients if you haven't had that experience.
How to Make Your Customers Fall in Love with You
May 26th
By Carolyn Edlund
Remember falling in love? Were you swept away, obsessed, deliriously happy? You can make your customers feel that way about you. First things first, though – you have to meet and create that spark. A well-planned strategy to connect with and court your prospective clients can make them fall truly, madly, deeply in love with you and your work. Are you ready for love? Let us count the ways . .
- Put on your best appearance. Your website is one way to do this. Is it attractive, appealing, enticing? Does it draw in the viewer and make them want to find out more about you? What images are you using to portray your work? Are they beautifully and professionally photographed? Would they represent you well if you were entering the most important art exhibition on the planet? Because you are – you will see more art online than anywhere else. Stand out by making every effort to be noticed for your striking appearance at every opportunity.
- Be inviting. Ask your prospective customers to go steady by subscribing to your email list, blog feed or becoming a friend on Facebook, Twitter or other social networking site. Throw a party by inviting them to “special event” on Facebook so you can get to know each other better.
- Listen to them. Isn’t that what we all want? Recognition, validation, and respect. Genuinely ask their opinion, and promptly respond when they contact you. Answer their comments on your blog. Invite communication, and engage in conversation with a focus on them, not yourself.
- Be fresh, intriguing and exciting. Part of the attraction is offering something desirable on a regular basis. Concentrate your efforts on keeping your work fresh to keep your audience wanting to see what you have to offer next. Remember to smile – be upbeat and positive. Life sucks sometimes because bad things happen, and it’s not always easy. But your customers don’t really want to hear all about that, so be authentic but don’t dwell on the negative.
- Work on a deeper relationship. Stay in touch by email newsletters and updates, a personal handwritten note or even a phone call if appropriate. Wouldn’t you want to be really irresistible to someone falling in love with you? Strive to be incredibly interesting and helpful, and even a little sexy (in a businesslike kind of way). Get the conversation going – address them personally and acknowledge them. Let them know how happy you are that they’ve joined you. They will become your avid fan when you open your arms and embrace them this way.
- Don’t appear too needy. We’ve all seen this type of behavior, and it’s a turn-off. “Please love me, please buy from me” won’t gain you any customers. It will make people run from you. So be confident, poised and work hard to make a great first impression, and let others know you are “available” in a professional but approachable way. Even if you are new and lack confidence, take a deep breath and relax. If you have marketed yourself well and started building your network, they will come to you. Relationships take time!
- Give them love and attention, but let them chase you a little. All great lovers know that to be truly irresistible, you have to leave them wanting more. Show you care, but be a tiny bit mysterious. Include “teaser paragraphs” in your communications, with a link back to your website that they just can’t wait to click. Be accessible, but don’t give it away all at once. Your fans will want to know more about you. This is why the public loves meeting a designer or artist in person. Who is that incredibly talented, wonderful artist, craftsperson or designer that everyone is talking about? Why, that’s you!
- Be patient, and understanding. This is what customer service is all about. When things go wrong, or your customer is unhappy, go the extra mile to make it right. Listen and offer to work things out. Even if you “break up”, part on the best terms possible. You can keep your good reputation when you treat all of your customers like they are your best customer.
- Do nice things “just because”. A small extra gift tucked into an order, a personal thank you note written on a packing slip or a special offer just to say “I appreciate you as a customer” goes a long way to endearing you to your audience. Do the unexpected without expecting anything in return. Unconditional love is the best. Plus it brings you good karma!
- Grow your relationship. As your love match matures, customers will want to buy from you again and again. Cultivate your collectors, and encourage this. Repeat business is wonderful, and it’s much easier to obtain than always looking for the next hook-up. When your fans adore you, they will want to tell others about you too. Ask for referrals and testimonials from people who are satisfied customers and who believe in you and what you do. They will often be pleased to do this, because they care. Then you get to meet new potential clients, and share the love!
See more of Lisa Kretchman's work here.
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