Featured Artists

Purple Orchids

Featured Artist Mani C. Price

Artsy Shark presents the portfolio of Mani C. Price also known as “Mani the Uncanny”. Enjoy her artwork, and see more by visiting her website.

 

Mani C. Price is a multimedia artist and animator born and raised in New York City. An alumnus of School of Visual Arts, she has worked for such clients as Plymptoons, Click3x, DMA Animation, and Tiny Mantis Entertainment.

 

Her newly animated short, “Beauty is the Beast” was screened at the Fringe Festival in Melbourne AU. The Digable Arts Festival held in Hoboken, NJ recently exhibited her oil paintings this fall and has appeared on Cable Vision NJ local news. She currently works as a freelancer in NYC.

 

Artist Statement

I am inspired by the mythical and macabre. Through art, I try to convey the transcendence of the physical world and render a greater vision of awareness, whether using spiritual or mystical themes or basing on experiences in my personal life.

 

 

I am able to exorcise unwanted energies by bringing about a manifestation of what I perceive as a higher goal. I feel through this cathartic release, the shadow self is discovered and disarmed, but released and acknowledged as a great teacher and healer.

 

To exploit chaos, we discover a larger side of the universe and what it has to offer us and learn from.

 

Vivaldi Flowers

Featured Artists: Due Alberi

Artsy Shark is pleased to present the romantic, ethereal work of two Italian artists – Antonia and Fabio De Vann of Due Alberi.

 

 

The artists behind DUE ALBERI are Antonia and Fabio De Vann. We are partners in life and in art. Our work is about beauty. The beauty of nature, full of colors and mystery. It is also about passion for flowers and nature. Our models are flowers and plants, we work on flower photography series arranging every time different compositions for the shooting. This is our way not only to observe and contemplate nature, but also to reinterpret it. To feel the joyful beauty of a flower in all its gorgeousness. But also the delicate and wise beauty of the faded flower which is part of the flow of life. We like to capture the living act of nature in its splendor and in the beauty of its inevitable transformation.

 

Our view is influenced by several artistic experiences such as watercolor, acrylic and ink painting. We both come from families with an artistic background: since we were both little our respective parents have always somehow inspired us through music, art, painting, sculpture. Coming from studies and working experience in Architecture, Interior and Floral Design, we have developed a flower photography passion. Our inspiration derives from childhood memories of the intact nature of our two countries of origin, one from the beautiful city of Toronto Ontario Canada, the other from the old European city of Sofia. Our work is inspired also by the Italian Renaissance, Baroque, and mural paintings, Zen brush painting and the Japanese Ikebana. We use different kinds of flowers and plants, combining them with wire and other objects like pebbles and driftwood.

 

 

Our Atelier is now based in Rome, Italy in an old late 1920′s house, in the unique context designed on the model of the nineteenth century English Garden Cities. From our window, we see the graceful and giant Roman pine trees on the background of ancient houses colored in pale red, ochre, yellow, rain washed rusty orange Roman clay roof tiles, all bound by typical cobblestone streets. It is stunning to be immersed everyday in the mixture of landscapes that evolve continuously throughout the generous four Roman seasons.


 

What are your goals?

Our goals are very simple. What we really want is to be happy and have the opportunity to keep creating and expressing ourselves. Most of all we want to stay in tune with our creativity, bringing in this way happiness and joy to the people that appreciate our work. We like to represent the beauty of simplicity, of what surrounds us, of what nature has to offer. Our work is to capture nature and reflect it. In this manner we feel that our art is simply part of the everyday life, a way of bringing nature into everyone’s home.

 

 

What are you working on now?

We are working on new rose fine art print sets in red, yellow and white colors. They are inspired by the contemporary floral design and by the dynamism of the Italian Baroque paintings. We like to create a sense of movement “on the canvas”, using different flowers and plants and making them dance in different directions. We love experimenting combining flowers with wire and other objects like pebbles, driftwood, or vegetables. We have recently introduced larger print formats and we are experimenting home decoration products inspired by our floral art prints.

 

 

What inspires you?

We find our inspirations in nature and art. When you look for example at a forest, at a tree, or simply at a curling twig, apparently you may see a random chaos in it. But under the surface nature is perfect, and we enjoy discovering and representing it every time. Inspirations come regularly from our everyday life: a color, a book, a texture, a vegetable, a flower. Everything can be an inspiration, you need only to use all your senses to see and understand it. We are very lucky to live in such a beautiful place as Rome as we are immersed in all this variety of reds, yellows, plants, and flowers. We are inspired by the Italian Renaissance and Baroque Art, by the mural paintings and decorations that you can admire in Italy. We love Calder, Mondrian, Turner, Art Nouveau, Picasso, Andy Goldsworthy, Ross Bleckner. We are attracted by the Eastern aesthetics as well. It could be some Japanese kimono pattern, or a delicate Ikebana composition.

Circle of Trust

Featured Artist Michelle Wermuth

Artsy Shark presents the portfolio of Featured Artist Michelle Wermuth. Enjoy her nature photograpy and visit her website for more information.

 

Early in the morning as the sun begins to rise, I can usually be found out in the woods behind our house stalking dew drops. My eyes are saturated with the way the light reflects off the water drops. The colors that are enhanced by the dew and early sunshine draw me in and I can’t help but capture what I see.

 

 

I can spend hours outside crawling around in the high grass seeking out the tiny unseen plants, weeds as some would say; beauty is what I call them. I enjoy capturing something so small and hidden that most people have never seen it before. My camera becomes an extension of myself. I am capturing the colors, textures and light that I see. The bright greens, reds and purples of miniscule flowers and grasses fill my eyes.

 

 

Macro photography is a true expression of how I see things. I see the tiny miniscule details and want to show the world. Occasionally I will bring a flower inside to get an extreme close up. Usually those drops are only a couple of millimeters in size. The natural world is constantly shifting and changing with the seasons, and as such my work is the same. In the spring my images are bright and colorful. In the winter they are black and white and sepia.

 

 

My editing process is pretty simple. I want to keep the images as I saw them in the camera so I rarely crop or enhance the images. I open my images in Photoshop to spot out the random dust particle and straighten horizons. I compose my images in the camera the way I want to see them printed. My prints and canvas’s are true to format.

 

 

Nature photography has always been an outlet for me. Growing up in the city I would seek out the green and always find the flower in the warehouse.

 


 

I would love for everyone to see what I see. It is a very peaceful and joy filled way of looking at the world. I love to show my work to as many people as possible so that they might see as I do.

 

 

Glass Chandelier

Featured Artist Patricia Gurgel-Segrillo

Featured Artist Patricia Gurgel-Segrillo is a native Brazilian, now living and working in Ireland. She talks about her journey and her diverse portfolio. Visit Patricia’s website for more information.

 

 

I started drawing from the age of 5 and carried on drawing ever since, later learning and practicing a diverse range of disciplines (i.e. painting, film animation, hat design etc), until eventually defined jewellery-making as my main practice 25 years ago. It’s been always my goal, whatever I did: to be my own boss and to work from home, as I do, in an experiment to have work/life mingle as much as possible. So far it’s been positive in both.

 


For my young daughter to see a healthy, creative and empowered relationship with work (which unfortunately is mostly the exception when I look around) might be my greatest legacy.

I try to blur the boundaries of Design – Craft – Art. Good thought and good design should go into each piece. The hand-crafted aspect and the skill which it requires as well as my artistic expression- all three are important to me.

 

Integrity and kindness runs throughout all I do: from answering emails to my overall attitude towards the commercial aspects of my practice as well as gentleness towards myself. The physical demand of actually making can shorten the time one will be able to do it full-time, if attention and respect isn’t given to one’s body.

 

 

 

I work with fine silver. Its softness is a crucial quality needed for the main weaving technique I developed. The one thing I LOVE about my work: no piece is exactly the same, EVER! It is the nature of the contemporary jewellery ‘woven series: the state I’m in is reflected in the piece, which is maybe an expensive ‘mood thermometer’ for me but a wonderful incentive to search for balance!

 

 

Recently I’ve started working also on a series of drawings, something I’ve always set aside as something “to do after retiring” whatever that means… That plan always had a lovely green Irish landscape as a backdrop (I have dual citizenship: Brazilian and Irish, have grown up in Brazil but never lived in Ireland). However, after the sudden loss of a dear close friend and knowing his dreams and aspirations, several of which, just like mine, were relegated to later- it dawned on me the senselessness of that plan. So the drawings start bubbling up- driven by deep-rooted questions on cross-cultural identity, womanhood, self-sufficiency and empowerment.

 

I live in Cork, Ireland now.

I’m working at the moment on three areas:

- A contemporary jewellery group for an exhibition in Vilnius, Lithuania(Galerija Meno Niša) and another group for a gallery in Cork City (Designworks Studio).

- Continuing the drawing series about Human Rights which was set in motion by a call to submit artwork for an exhibition at the Picture Art Foundation, Redondo Beach, California. I was fortunate enough to have two of my drawings chosen.

- Recently I’ve resumed a collaboration with the wood artist Garvan McGrane. More of the objects series in birch multi-ply and float glass are in the making.

 

 

My father’s love of books and art and his view that being an artist was indeed a dignified activity still nurtures me with much inspiration.

Artists who “speak” mainly through metal, or in black and white are my obvious top influences, as well as the great photojournalism masters and their humanity. But my inner landscape was certainly composed by an early love of reading and by “realismo magico” literature and its richness of fantastic imagery. It is most interesting to me, in the very way it is dissimilar to surrealism, as it proposes magic not as contained in a separate, subconscious world but within ordinary life.

Heritage on the Reach

Featured Artist William R. Beebe

Artsy Shark presents the exquisite portfolio of featured painter William R. Beebe. Find out more about this talented artist by visiting his website.

 

Witnessing in present day what someone else saw a hundred years ago or more inspires me to paint not only the historic wooden ships I have admired for years but also the many wonderful European villages and towns I have recently discovered.

 

I see myself as an old soul with an appreciation of beautiful places and objects that have withstood the test of time.  The weathered but well maintained subjects possess character and interest which adds a richness and depth to a painting.

 

The interpretation of the scene, what the artist conveys through expressive brushstrokes, unique perspective and creative color usage is what separates the ordinary from the masterpiece.  Since my art is a form of self-expression, I carefully and sometimes painstakingly review the vast array of subject matter in order to commit myself to the time required to create a painting that will fulfill my expectations.  I endeavor to be meticulous about detail and accuracy, creating paintings that stand up to a critical eye.

 

My initial visualization determines the level of detail and style in the beginning, although I am not averse to breaking down a painting that has been over developed in order to improve it.  Each painting goes through an evolutionary process, never formulated.  On the contrary, I prefer to go with moments of spontaneity and enjoy having the paint surprise me.

 

 

Through the years I have admired the maritime work of John Stobart, Thomas Hoyne and Donald Demers.  Recently I’ve been more influenced by the American and European Impressionists.  Studying the work of Sicily, Monet, Whistler, Frank Benson, Sargent and Chase has challenged me to look at each new project with a more open mind.

 

 

I’ve evolved to a place where I most certainly appreciate realism and the expertise necessary to achieve it but creativity of style, usage of paint, careful selection of color and tone all have become as interesting and important as the composition itself.  Achieving a painterly work is a high priority.  I want my paintings to endure over time just as my beloved subjects have throughout the years!