A Site for Emerging Artists
Networking
How a Decorative Painter Built a Business
May 10th
By Carolyn Edlund
Artist Debra Disman is an entrepreneur, teacher, writer and successful artist who shares her career story in a two-part interview. She created her business in a deliberate and multi-faceted way, and continues to be involved in many endeavors, all of which help to build her reputation and drive more business. Debra shares her experience for the benefit of emerging artists . . .
AS: Tell us about your background and how you got involved with decorative painting.
DD: I majored in Painting at the University of Iowa, and was also in the Iowa Writers Workshop in Poetry. After college I moved to San Francisco and taught at the De Young Museum Art School. This set me off on an arts teaching career that took me all over the Bay Area providing art classes, workshops and trainings, primarily funded by grants and fellowships that I wrote or co-wrote.
During that time I was painting and creating mixed media work and was commissioned to do a piece of “art furniture”, a painted chair. I fell in love with the process!
By chance, I discovered the Paint Effects Shop and Studio where the techniques of Decorative Painting were being taught. I couldn’t believe a place like this existed! I had never seen a business model like this close up – the combination of art and commerce, retail and instruction, with no apology! I inquired and was later hired on the strength of my teaching experience and painted furniture work.
Having traveled and lived in Europe, I was fascinated by the historical aspect of many of the finishes we taught, as well as by their contemporary applications. Informed by my own experiences and study of art history, I began to develop my own approach and voice. I acquired clientele and thus my business grew. When Paint Effects ceased to exist as an entity in 2001, I went out on my own.
The field of decorative painting has so many applications and takes place in so many different environments. It really helps to have diverse artistic, technical, business and people skills.
AS: You took business courses to help you get started as an
entrepreneur. How did this help you and what have you incorporated into your business practices?
Most art schools don’t train us to be business people or entrepreneurs, which is exactly what you have to be if you don’t plan to pursue a full-time teaching career or have some other form of income. So it is important to embrace the process.
I had actually been conducting my business for over five years when I began attending the Renaissance Entrepreneurship Center in San Francisco and took “Start Your Own Business” and “Business Planning” classes. In addition to creating a business plan, I was given an overview of the totality of running a business, a context for many of the issues I was dealing with, and a community of people to interact with around those issues. I met my awesome web designer, Dianna Jacobsen of Jacobsen Design through Renaissance, where she also studied. I was introduced to many basic concepts – not just financials, the business plan and feasibility – but the concepts of networking, marketing, and connecting with others. My experience at Renaissance showed me a way out of isolation, which I think is a great pitfall for visual artists, even those actively involved in business, as we tend to work solo.
Subsequently I joined and was active in Business Networking International (BNI), social (online) networking communities, and Professional groups like MeetUp. In addition, I began training with the International Association of Colour Consultants and Designers (IACC) to enhance my color skills and developed a further network there. I can see the line from Paint Effects, to the Renaissance Center, to BNI, to online networking, to professional groups. I made extraordinary connections through these associations, which had a powerful effect on my career.
AS: You have mentioned writing, and expressed that it is something that you love. Is writing a skill that you think aspiring artists should develop?
DD: Being able to write comprehensively is a crucial skill to have – in all fields. It helps you clarify your own ideas, plans and goals, and also communicates these to others, which is necessary if you are going to have any measure of success professionally.
One of the joys of doing this interview is that I can share and offer advice on what I didn’t do, as much as what I have done! I didn’t write a business plan initially, nor would I have if I did not attend the Business Planning Class at the Renaissance Center. I had been taught to organize my thoughts through writing, and that skill has proved to be invaluable. Whether it was writing lesson plans, grant proposals, website text, or articles, writing intelligibly has been critical to my livelihood. So, when I did get to writing the business plan, I was comfortable with the process.
Writing dovetails with marketing activities, educates others about your art, and raises public awareness of it. I became a columnist for the Bay Area Women’s Journal, and the opportunity to write about decorative painting gave me a whole new view of what this multi-faceted art form contributes to our world, and my own relationship to it. Writing gives us the opportunity to offer advice and inspiration to others, which is another way of giving back.
Visit again for Part 2 of her interview, in which Debra discusses marketing and time management techniques.
The Art of the Follow-Up
Apr 10th
by Carolyn Edlund
Recently I received several interesting emails from an artist in New York City. His name is Roc Cayard. What Roc “gets” about his career and how to further it, is that he must initiate contact and follow up. He mentioned in one message how many artists fail to have a “work ethic”, and I’m afraid I must agree. However, this extends to the general population as well.
The follow-up is essential in the sales process. If you have an art career, you are selling yourself and your work, and you are in business. If success is what you’re after, accept that fact and start making things happen in your life by initiating contact with those people who can help you in your career and follow up with them on a regular basis.
This involves calling people back – promptly. Returning emails. Get your materials together and have them ready to send out at a moment’s notice, because often the window of opportunity is small. How many opportunities have you missed because you weren’t ready and you weren’t prompt in following up? It is a fact in business that the longer the “sales process” takes, the slimmer the chances are of making the sale. This applies to artists, too.
Let’s say the opportunity you are seeking isn’t going to happen right away – what then? Here’s one example. An artist contacted me a while ago, because he had expertise and information which could be helpful to emerging artists and was requesting to be interviewed. At the time I was swamped and asked him to get back to me in a month. One month later – to the day – I received an email from him, mentioning that he was following up, and he again requested the interview. I had a less hectic schedule and was ready to entertain his request. My answer was “yes, I will grant an interview, and help publicize you and your work while giving useful information to my readers.”
Think about what is happening with your art career, and check that you are indeed making contacts, following up on them, and organizing yourself on future follow ups so that you don’t miss out. Use networking to make those contacts, and make following up with them a priority.
Read my networking article , and you will see that I mentioned authors Harvey Mackay, Bob Burg and John David Mann in the text. All of them noticed (without being contacted) and subsequently followed up to thank me for the mention. Harvey even sent me an advance copy of his latest book. These are nationally-known authors, and yet they still take the time to follow up with everyone, because they “get” how networking and building relationships work.
How successful do you want to be? Think of the results you could have by staying in touch and following up with those who can help your career. Roc Cayard did. And here is his website. Please visit and mention that I sent you!
Create Abundance by Giving it Away
Apr 4th
By Carolyn Edlund
Recently, when paging through my copy of The Go-Giver: A Little Story About a Powerful Business Idea, I was struck by the following sentence:
“Your influence is determined by how abundantly you place other people’s interests first.”
That is a truth that many people, caught up in their race to get ahead, fail to realize. It is actually by building other people up, by recommending and referring them, by congratulating and recognizing their achievements, that we build our own influence and become recognized.
We create abundance in our own lives by giving it to other people. If you want to increase your business, refer business to others. Our networking communities work best when everyone lifts up everyone else.
Interestingly, that same day I received a gracious recommendation from Euphrosene Labon, who was bestowing Kreativ Blogger awards and gave one to Artsy Shark. She called it “paying it forward”, and she was right!! I appreciate your thoughtfulness, Euphrosene. In that same spirit, I am passing awards onto blogs that I follow and recommend.
The brainchild of Huldas Verden (yes, this blog is in Norwegian!), the Kreativ Blogger award comes with the following requirements:
The Rules
- You must thank the person who has given you the award.
- Copy the logo and place it on your own blog.
- Link the person who has nominated you for the award.
- Name 7 things about yourself that people might find interesting.
- Nominate 7 other Kreativ Bloggers
- Post links to the 7 blogs you nominate.
- Leave a comment on each of the blogs to let them know they have been nominated.
7 Things You Don’t Know About Me
- I have owned four convertibles – a 1966 VW bug, two Fiat Spiders and a Sebring.
- My very favorite vacation place is Bermuda.
- I like to swim laps for exercise.
- My dogs have their own web pages on Dogster.com.
- Favorite food: scallop fettucine Oreo cheesecake Maryland steamed crabs
- I collect ceramic and contemporary art.
- I read about thirty books a year.
I nominate the following blogs for Kreativ Blogger Awards:
- Escape from Illustration Island
- Red Lemon Club
- The Stuck Creative
- Road Rage Blog
- ChaRene Graphic Design
- Morber Marketing Group
- Art Print Issues by Barney Davey
Each one of these blogs is exceptional and I have learned a lot from all of them. I commend the authors for a job well done and am happy to present these awards!
3 Essential Networking Strategies You Must Know
Feb 5th
By Carolyn Edlund
A recent post with 10 Tips for Effective Networking gave readers some basics on how to prepare for networking events and make the most out of attending them. The crucial work of making networking successful is done after the event. Here are several essential steps you must take to create networks for your business that work and last .
Make Following Up a Priority. This is the most important step, but it’s astonishing how many professionals and experienced businesspeople do not follow up on their networking leads. Recently, I attended a small breakfast seminar hosted by some “experts” on effective networking practices. As an experiment, I didn’t follow up with anyone, but waited to hear from those who had attended the event. I only heard from one person, and that was after a week or two. The speaker never contacted me, nor did he respond to my eventual email. The lesson here is to “walk the walk”. When you make a good contact for your art career (or any business), promptly email, call or write a note to follow up, and schedule a meeting if appropriate. Offer them something of value – an introduction to someone they may want to meet, an event coming up they may not know about, or to assure them that you understand what their business is, what they are looking for, and that you will be on the lookout for good contacts to refer. Be consistent in communicating with them so that they keep you “top of mind”. You will not make long-term connections with everybody, but if you are able to cultivate a couple of good reciprocal contacts from an event, you have done well.
Create Alliances. This is actually something you will want to think about before you attend any networking event, and when you are following up as well. What types of businesses are complimentary to yours – where you do not compete, but appeal to the same type of customer and can recommend each other? As an artist, you may want to make an alliance with an Art Council director, a gallery owner, a show promoter, other artists or even non-art businesses who can refer you – and whom you can also help. Business people do this all the time. For example, a financial planner may partner up with an attorney, and they will refer business to each other as appropriate, creating a larger client base for both of them. This also makes them more valuable in their clients’ eyes! Artists should be savvy to this and take advantage of the opportunity. Think creatively – who could be in a good alliance with you?
Establish Credibility. Present yourself professionally from the very start of your business. Over time, people will come to know you as a resource. Do your homework in your particular field of endeavor, and keep up on developments. You don’t have to be a world’s expert on your subject to track events, trends and new information, and be valuable to others. Start an email subscription feature on your website, and contact subscribers with occasional newsletters with helpful information (not spam). They will come to know you as the “go-to” person in your specialty, and seek you out when they need your product or services. You can even go further and put on an event. A framer I know has started a monthly women’s business networking lunch at a local restaurant, which is well-attended and growing. Everyone knows her, and when they need framing done, she is the one they call.
The key to using all of these essential networking strategies effectively is plan your activities to create a win-win situation for everyone involved. Help your contacts, help your subscriber base, help your clients, help your suppliers, and help your own business grow by taking it to the next level.
10 Tips for Effective Networking
Jan 30th
By Carolyn Edlund
Pursuing your art career involves a lot of different aspects. One of them is networking in person.
As a student or emerging artist, you will have the opportunity to attend networking events where there are people in the business that you will want to know. It’s no secret that networking can be intimidating if you’re inexperienced, or even a professional. It needn’t be. Luckily, you can learn how to network effectively. Here are some concrete steps to be prepared, make the most of your time, and feel great about the event after you leave.
- Take plenty of business cards. For artists, a card showing a photo of your work is perfect. That may be on one side, with your name, address, website, phone and email on the back. You might want a glossy finish on the image side of the card, but the back should be matte, so that others can write notes on it when they take your card. Make sure you have a pen so you can do the same.
- Be on time. Often, there are presentations or meals served at events, and you want to make the most of your time to shake hands and meet other people. The best networking often takes place right when the function starts.
- Go with the right attitude. The secret of successful personal networking is this: if you attend with the intention to give to and help others with their business, you will also receive help. A terrific book on this subject is The Go-Giver: A Little Story About a Powerful Business Idea
by Bob Burg and John David Mann, which is a must-read for anyone launching into business (and for pros, too). Give it as a gift for a new grad, or to yourself as you plan to reinvigorate your business.
- Have your “elevator speech” ready. Imagine you were in an elevator with just the person you want to meet. How could you tell them succinctly, in that short ride, who you are and what you do? Write down, practice and memorize a few sentences that tell about yourself and be able to express that clearly.
- Know what you are looking for. Be able to tell others who you are looking to meet. “Anyone who would like to buy my work” doesn’t really mean anything. A better approach would be: “My name is John Smith, and I create metal sculpture with nautical themes. A good contact for me would be a gallery in a coastal resort area or on a waterfront.”
- Shake hands. Smile and make eye contact. Show that you are genuinely interested in meeting everyone there. This may be out of your comfort zone, but it gets easier over time
- It’s not about you. People look to connect with others while networking, but no one wants to see an infomercial. Ask others about themselves and their business, and show true interest. Offer to assist them with any contacts you may know. Does it look like they have nothing to offer you? Ask them “How did you get into this business?” Perhaps they had a previous job which would offer contacts that are meaningful to you. Get business cards from everyone you meet. Jot notes about them because you will be following up later.
- Follow up Later. Email, call or send a note to make a future appointment to see people who are good contacts. Harvey Mackay is a master networker who has written many books on the subject, and a great one to start with is Dig Your Well Before You’re Thirsty: The Only Networking Book You’ll Ever Need
. He has a proven system of follow-up that is amazing and gets huge results, all of which you can learn to use.
- Keep attending. Becoming part of a community takes time. You need to meet people again and again so that they come to know you, and understand that you are serious about your business and that you have been helpful to them, that you are a giver. Givers are the ones who also receive help from others!
- People want you to succeed. Ever stand up before an audience and introduce yourself? It can be flustering, but understand that your audience wants you to get through it, and they support you. Relax and enjoy yourself.
Another notable and classic text on the subject of making connections is Dale Carnegie’s How To Win Friends and Influence People. This system is so successful that a whole school of training has been built around it. Inform yourself by doing some reading on the networking process to make the most of your experience.

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Featured Artist Julia Hacker








