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Sell More Art using this Smart Strategy
Feb 3rd
By Carolyn Edlund
Artist Stephanie Paige uses a smart technique to sell her mixed media work. How this can help your sales, too.
Take a look at how Southern California artist Stephanie Paige shows her large scale mixed media artwork on her website. Visitors have the option of seeing her work in a traditional view, as shown below, but she also offers a professional photo of a room scene including the piece as well.
See how effectively the room view helps to show the scale and impact of her work? Stephanie says her customers love it.
She says, “Using the images in a room setting has really helped my clients get a real good feel for what it will look like. I also have clients all over the world send me photos of their room wanting to see what it will look like before they purchase my work.”
Big retailers like Art.com have long offered this type of service on their sites. They know that showing art in it’s environment (as well as changeable wall colors, frames and mats) helps prospective customers visualize how the art could work in their own home or office, and can make a huge difference in closing the sale.
It’s difficult enough to make a purchase of fine art online, since it’s so much more “real” in person. Just think how this helpful technique could enhance your own art sales!
Holy Cow! How to Succeed at Selling to a Niche Market
Jan 10th
By Carolyn Edlund
Kathy Swift is a full-time mom, part-time cattle veterinarian and a jewelry artist – with a popular retail website specializing in cow art. She is a busy lady, which is why catching her for an interview means having a phone conversation with her while she is driving around in her truck (to the next farm, I believe.)
How did she get involved in all of these seemingly unrelated activities? She’s lived on farms all her life and loves the lifestyle and the people involved in “Ag” whom she describes as the best people on earth. At a friend’s barbecue, she met an artist and got into a conversation which intrigued her enough to start classes in jewelry making, which she fell in love with.
It seemed natural to make what she loved, which means cow-related jewelry for the most part. Her website Cow Art and More features the work of about 25 artists who also produce art and giftware for the bovine-inclined of the world. About half of those artists live on farms or ranches, so they have a direct connection with the theme.
Cow art is definitely a niche – and we love niche marketing! Kathy has great tips on how artists can grab more market share for their work by using some smart strategies to reach their targeted audience. Her opinion is that all artists have a niche, even though they may not realize it. Is your niche a theme, a medium, or a process? Then you have fans out there who are crazy about what you do. Your job is to find ways to reach out to them and promote your work.
Kathy recommends:
- Start with who you know. If you create work in a niche that you know and love well (like those cow artists who are living on farms and ranches), you are in a community of like-minded people. This is your first network. Let friends, relatives and neighbors know what you are doing, and reach out to them with your art, to help spread the word. And word-of-mouth is about the best recommendation you can get!
- Cross-promote with other artists. Yes, your niche has other people in it who create art and other wonderful things. Get to know them and create a strategic alliance where you can each refer business to the other. That’s one of the ideas behind Cow Art and More. Kathy’s frequent newsletters to her fans celebrate the gallery openings, awards and other news of her artists. They in turn direct traffic to her fun website which has everything a cow lover could ever want.
- Network like you’re trying to infiltrate the mob. Yes, that’s a quote. Kathy’s plan is to approach a group or organization within your niche in an authentic way. Show them that you are truly interested in what they care about. Build rapport and start relationships with those who respond to you. Eventually you can share your art with them, and since you are right up their alley, you will most likely get a very warm response. Which means you’ve successfully infiltrated!
- Give and you shall receive. She shared a story of how she spread the word about partnering with organizations which promote the future of farming. A big industry publication picked up on it and contacted her for an interview. Thousands of dollars in sales later, she is still raving about the tremendous boost in publicity and revenue that came due to her support of good causes.
Cow Art and More is currently seeking more work from artists in the US, Canada and the UK who are interested in joining her in offering a barn full of wonderful cow products to raving cow fans everywhere.
Top 10 Articles on Artsy Shark for 2011
Dec 21st
By Carolyn Edlund
This year’s countdown of the ten most read and shared articles on Artsy Shark.
10. Making Art and Making a Living - Do you have to support yourself through your art to be an “artist?” Or does the financial pressure hurt your creative growth and your sanity?
9. “You’ll Never Make a Living as an Artist” - Are you surrounding yourself with supporters, or naysayers? Who is holding you back? Your family, your friends? Or is it you?
8. Matching Artists with Corporate Buyers - Joyce Creighton’s fascinating story of how she is connecting artists whose work is appropriate for corporate settings with clients looking for their work.
7. How to Make Your Customers Fall in Love with You - Want more business and repeat customers? That’s right – spread the love.
6. Do You Want to be a Childrens Book Illustrator? - Cherish Flieder discusses the steps in childrens book illustration, and how to get started in the business.
5. Creative Marketing for Artists - Think outside the box when it comes to promoting your work. Here’s some examples of how other artists did it.
4. 6 Ways to Improve Your Greeting Card Sales - Is your line balanced? Is it big enough? How often should you update? The basics on what you must do to have a successful greeting card business.
3. What’s Wrong with Your Art Website? – Artsy Shark asked the experts for their pet peeves when visiting art websites. Are you guilty of any of these sins?
2. A Guide to Pricing Your Artwork – Professor, TED speaker and entrepreneur Karen Atkinson gives great advice for artists on this perplexing but essential topic.
1. Are Your Prices Unrealistic? – Are your prices too high? Too low? How your competition affects your perspective. Lots of comments and opinions about pricing.
The Great Asheville Arts Experiment
Nov 23rd
Painter Brennen McElhaney launched Asheville Artists, a new website promoting the arts in North Carolina near his hometown. He describes how he benefits his own business as well as other artists in a community approach to marketing and promotion.
It all started when I secured the domain name AVLarts.com.
For those of you not familiar with Western North Carolina, ‘AVL’ is the common abbreviation for Asheville, NC, which in addition to being where I live has a well-deserved reputation for being an artsy city.
I decided to make a website that would be the go-to informational hub for the visual arts in Asheville – by listing comprehensive directories of local artists and galleries, and publishing an events calendar of art show openings, open studios, gallery walks, etc.
In short, I set out to create a valuable local arts resource.
The website launched on November 15, 2011.
AVLarts.com is clean and simple in design and invites the community to suggest artists, galleries and events to be added.
There is no fee to be listed. However the directories are curated (by me) in order to be valuable and comprehensive, but not exhaustive.
It is also important to me that AVLarts.com be uncluttered, so there are no banners or advertisements.
Sounds like a lot of work. What’s the catch? Where’s the payoff?
Connections.
This project has the potential to position me as a valuable asset for local art-lovers, artists, galleries and those who plan art events — all the people I want to connect with.
After being on-line for only three days, I’ve already made some solid connections.
My plan is to maintain the website for a year and see what happens.
I’m going forward with the philosophy that ‘if you build it (and promote it) they will come.’ I believe that giving back to my community in this way will be well worth the effort by introducing me to people I want to know.
Am I crazy? I guess we’ll see.
How to Succeed in the Changing Marketplace
Oct 1st
Do you need sales reps? Or a new strategy? An interview with Meryl Hooker, internationally recognized writer, speaker and consultant. With nearly 25 years in sales, she brings real life experience, skill and expertise to sales warriors and companies alike.
AS: What do you see as the biggest problem small entrepreneurs have in getting sales representation?
MH: The single biggest challenge facing new and young greeting card and gift companies today is the shortage of available competent sales reps. Period. At least that’s what they think their problem is. In reality, there is a whole lot they can and should be doing to get the attention of sales reps.
Sales reps chase money. And when a company builds a sellable line that retailers are interested in, the right reps will come.
AS: When reps look for lines, what is the most attractive thing to them?
MH: I advise my clients (who are sales reps) that you need lines which fit in with your customer base and the other lines that you represent. For example, I carved a niche for myself in the weird humor market. If someone called me with a line that featured fairies and angels, it didn’t matter how good the line was – it didn’t make sense for my business, or the stores I called on.
You must also have a line that is adequately developed. For example, if you have a greeting card line, you need a minimum of 36-48 cards, enough to fill a rack. If you have seven cards, you don’t have a greeting card company, you have an art collection.
Reps are not in the business of helping you develop your company. They are in the business of selling product to retail stores. As a manufacturer, card or gift company, it’s your responsibility to make sure that there is something to sell.
AS: Would you recommend that someone with a gift line search for companies producing compatible lines, and approach their reps?
MH: Five years ago, I would have said yes. But the reality is that the landscape has shrunken considerably. The new economic landscape has killed a lot of retailers, and a lot of manufacturers. I believe the customer gets the final vote, and reps are going to pick up lines they can sell. If you are serious about growing a sales rep force, you go for the most appropriate people and let them worry about the competition.
AS: How do you see reps changing their approach to making sales to their retailers?
MH: The biggest frustration that I hear from the sales reps that I mentor, is that the old strategies aren’t working anymore. I will go on record as saying that anybody who is still making cold calls is wasting their time. There are so many new tools available that the cold call is an antiquated way to sell in the gift industry at this level.
AS: Are reps more engaged in social media, getting online with Facebook and communicating in different ways, such as Skype,etc? Do you see them using more innovative ways to sell?
MH: People who are being successful, yes. The problem is that the majority of reps are still on AOL. They don’t use social media or have web pages. Have you ever tried to Google a rep? They’re not on there, nor are they taking advantage of tools that actually make the selling process easier. They are still dialing for dollars, mailing catalogs. They are not keeping up with technology. In the end, if that trend continues, I don’t see it going well. People who are embracing it are seeing results.
When I was developing my rep business, customers were sending me orders on Facebook, posting appointment requests on my wall. There are ways sales reps – and greeting card and gift companies more importantly – can position themselves in social media platforms to interact with customers, sharing content that they care about. The conversation is already happening. Are you participating in it?
This does not require you to have sales reps. Post your new designs, or a link to your catalog, to your website. Talk about all the cool stuff you are working on. Provide specials and promotions just for your Facebook customers, with special codes. It’s free. It’s the same principles of selling, but updated. The fact is that there is such a scarcity of competent and effective sales reps right now that the small companies that will survive are the ones that figure out how to sell their line themselves.
It’s the new marketplace. Social media is not going anywhere. When you’ve got companies as diverse as Amazon and Coca Cola, and your corner liquor store, who are all signing up on the same platform, it’s not rocket science to know that it’s worth paying attention to. Facebook may not be the final destination. I hope there is some kid in a dorm room right now inventing something even more amazing
AS: So you feel that companies can be just as effective without sales reps.
MH: Quite frankly, I don’t think a company has any business working with sales reps for the first two years. It’s a disservice to the rep, and to the company. It pretty much takes you two years to figure out what the hell you’re doing.
AS: Would you say the problem reps have in embracing change is due to the average age of typical reps out there?
MH: Absolutely. There are some younger people still carving out a career as a sales rep in this industry. But what I tell businesses that come to me saying “I need a rep”, I respond, “No, you need to learn to sell your line.”
There is unprecedented change going on the industry. Selling is not a dirty word – it’s about doing business with your friends. If you are an artist of any type and asking people for money for your product, you are in sales. It doesn’t matter whether you do one-of-a-kind paintings or whether you have a line of 150 greeting cards. That commercial exchange equals selling. It is so important not to be afraid of that process. It can be intimidating. Rejection is hard.
Understand your market. Don’t go too deep too fast. You may have a terrific first run on your orders, but if nobody reorders, who cares?
AS: That’s true, it’s not about the initial sale. It’s all about repeat orders – that’s where your bread and butter is.
MH: Exactly. But what’s happening right now is a tremendous resistance to anything that is not proven, or anything that is experimental. That is just reality.
AS: Any other thoughts on how small entrepreneurs can become successful in this climate?
MH: Know that you don’t have to do this alone. There are so many resources available, not only through discussion groups on LinkedIn, but also through enlisting the help of industry experts. You can flush $5,000 trying to figure it out on your own, or you can invest a percentage of that working with somebody who can actually cut your learning curve in half and help you start making money sooner. You don’t have to fake it. It behooves you to not do that. Seek out help and ask questions.
Join Meryl for an event on October 10, 2011 at 11:00 a.m. Eastern time. This concentrated teleclass session discusses effective ways to utilize social media to identify, make real connections and build relationships with your active and prospective customers.




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