Artsy Shark
A Site for Emerging Artists
A Site for Emerging Artists
Mar 17th
By Carolyn Edlund
Artist Carolyn Pappas has taken down her Pinterest boards. She didn’t delete her account, though, because she wants to be able to comment on boards where her art has been pinned.
One comment was made on a board belonging to a woman who pinned her work on “I Just Have 2 Make It.” Carolyn replied to her:
“Hi there! I noticed that you pinned my artwork to a board of things you want to make yourself. I encourage you to make your own art, but please do not copy from any of my drawings or paintings, as they are my original works and are protected under copyright. Thanks.”
This small attempt to fight back is reflective of how many artists view the power, reach, and potential misuse of Pinterest. Carolyn agreed to share her views and concerns about this exploding social media phenomenon.
AS: What is your biggest concern with Pinterest?
CP: What bothers me the most is their terms of service (TOS). There is so much info out there dissecting the legal meaning of their terms, so I won’t get into that. But I am left with the feeling that the whole company thinks very little of the ethics behind copyright law (the “spirit” of the law, so to speak.)
Most people do not read through the TOS when they sign up for a website, but I am left with the impression that Pinterest itself (i.e., their CEO Ben Silbermann) let some lawyers write the terms without even reading it through first. The whole service is based around people breaking their own legal terms. That is a poor business model for sure!
I do not think that Pinterest would actually sell my images, but it bothers me that they try to usurp that right in their TOS.
AS: Do you believe there is an effective way to protect your copyrights given the way images are being used online?
CP: As far as individual users, there are plenty of people out there with no scruples, or are well meaning but just plain ignorant. As a teenager, I used to be like that as well, and it wasn’t until I got serious about my artwork that I began to become more aware of copyright.
I put the “no pin” code on my website for about one week, but then decided to remove it because I don’t want to turn away potential fans. I feel conflicted about how to handle people pinning my work. I’ve toyed with the idea of watermarking my images, but I’ve seen so many bad watermarks that for now I’ve left them off. Right now I am just trusting that I have more to gain from people seeing my work than I have to lose.
I left the comment for the Pinterest user because I thought it was important to educate the person. She seemed nice, and I think she just didn’t know any better. I thought it might be better to educate and inform rather than do a DMCA takedown notice.
AS: Would you want your work shared on Pinterest if they changed the terms of service?
CP: If Pinterest changed their terms of service I would certainly have less of a problem with people pinning my work, but I’m not sure if I would want to use it myself. I really have lost a lot of respect for their upper management that they would have gone into business without making sure it was legal first. My suspicion is that they knew exactly what they were doing, but they took a calculated risk (even worse.)
What’s your viewpoint? Are you a Pinterest fan or not?
Mar 15th
My work explores the fine line between comfort and menace in our most common stories and shared experiences. My prints often depict the characters who populate myths, legends, and fairy tales, but transplanted into a modern or neutral setting. The tension thus created helps viewers see these familiar tales anew, and think about the ways they remain relevant to the modern world.
I am currently experimenting with using multiple printmaking techniques in a single print, for instance combining etching and relief print or monoprint with linoleum block. I hope this will further emphasize the complexity of human story-telling.
What are you working on now?
Right now I’m working on a couple of linoleum block prints based on Moby Dick (my absolute favorite book). I’m continuing my set of Exploration prints, loosely based on the adventures of nineteenth-century Arctic explorers. And I’m also starting to work on a set of prints inspired by a walk I took across Spain last year, from Seville to Salamanca.
What inspires you?
I’d say there are no limits to what inspires me, but two main areas of interest are literature and the outdoors – which are in and of themselves huge categories!
What are your goals?
I’d like to be able to make a living solely through my art. And I’d like to have access to any materials or equipment I need to continue to learn and experiment in printmaking.
I began my art career as a painter, but have completely fallen in love with making prints: the technical, mechanical geekiness; the ability to take one image and make it over and over again, changing it and letting it push my ideas further and further; and the ability to be creative not just in the creation of the block or plate, but also in the printing.
Mar 13th
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Mar 11th
My name is Jennifer Weiss. My interest in art began when I was very young after an art teacher in middle school suggested to me that I had talent. Once I received this feedback my great passion to create took over me. I remember drawing in classes and then getting home from school and going directly to my canvas to paint.
My friends and family have always commented on how productive I am in regards to my artwork. I am often working on two or three paintings at a time. I am a self-taught artist and though I tried a few art classes, I never did like them very much. I have always trusted and believed that what I have inside me is enough to produce the results that I wanted. In fact, after taking an art class in college, I felt that it was detrimental to my production and creativity.
I have always been drawn to create because it lifts me to another level of consciousness and what I call a meditative state. It helps me to escape from the daily pressures and stresses of life. It also helps me to celebrate life and the beauty around me. I have been an acrylic on canvas painter most of my life. My style is surrealistic & abstract in nature. My painting encompasses unique and often repetitive forms that dance with color, balance, rhythm, and personality.
The majority of my work starts without a prior concept in mind. The piece develops as my mind instructs my hand on the paint brush. Lines develop into bolder shapes that take on color & balance.

I produce flowing forms integrated with energy & movement. Frequently, my work has a sense of spirit flowing within it. Occasionally, my work is premeditated through drawings that stand out to me. I am a colorist. The majority of my paintings & drawings reflect extravagant use of color. I perceive colors which range in varying intensities from high to low and screaming to silent.
There is theory of harmony within my artwork, an internal discipline which color and forms are to obey. My creativity and my responsibility to expose it to the world is a powerful purpose in my life.
Mar 9th
This post is reprinted from The Arts Business Institute blog.
Patti Dowse is the owner of Erda Leather in Cambridge, Maine, which produces leather and fabric purses and accessories for women. With forty years in the business, she has a knack for marketing and has used several creative techniques to open many new wholesale accounts.
Over the years, Patti has made a number of observations and been able to take advantage of them.
Although she has hired several successful sales reps, she has found that many times reps haven’t been able to sell her work as effectively as she can. Patti has sales experience at wholesale and retail shows, and occasionally accompanies reps on the road to speak with store buyers.
Patti has also become aware that her fabric and leather purses sell well alongside other complementary products, such as certain clothing lines. She’s made a point to visit the websites of those companies, and take a look at their retail store list – which then becomes a prospect list for her. Patti can easily use the success and compatibility of her Erda line as a selling feature when approaching those stores.
This works especially well because she is not attempting to replace another line in the store, but is suggesting an additional line which has a history of appealing to customers who buy the clothing. She has coined a term for this tactic, calling it companion marketing.
Entrepreneurs who understand the concept can choose to work together with other businesses that don’t compete, but make lines which would appeal to the same customer. They can act to further both of their businesses by forming a strategic alliance to effectively double their exposure. Each partner helps to cross-promote the other by referral to their customer base in email newsletters, on a website, in literature accompanying a shipped order, etc.
Patti took her activities to the next level by combining techniques. She didn’t have a strategic partner, but decided to do some targeted marketing and get on the road acting as her own sales rep. She and her sister knew that their typical customer was much like themselves, who would be likely to purchase a unique handbag while on vacation. They chose the vacation destination of Northern California and Oregon to test their theory.
They went online to mine the retail store lists of the clothing lines that Erda is compatible with in those geographic areas. If a list wasn’t posted online, then a phone call to the companies would produce suggestions of retailers in the chosen area. They made phone calls to the resulting prospect list with the news that they would be in the area with samples of their work which sold well to the same type of customers who bought current lines in those stores. Appointments were scheduled.
The results? Very successful. “Like shooting fish in a barrel,” says Patti. She used smart marketing and sales techniques by:
How could you use some or all of these strategies in promoting and selling your own handmade line?