A Site for Emerging Artists
Posts tagged artists
Launch Your Art Career Like a Pro
Jan 15th
By Carolyn Edlund
Way back in the 1970’s, a book called Dress for Success hit the bestseller lists. The book made headlines because it taught (and proved) that to become successful, we should act successful. Want to become a manager? Dress like one. Show the world that you are ready to assume the next step in your career. People who followed this advice achieved success more quickly and in greater measure because of it.
Let’s translate this into how it pertains today towards your career as an artist. I’m not suggesting you get a new wardrobe – but consider this: The way that you portray yourself to the world is going to have a major effect on how you are respected and treated. Because the internet is the primary way in which you show your work to the world, you must have a top-notch web presence to get noticed and be taken seriously. So, even if you are just starting out, launch your career as if you are already a professional. Some basic steps to begin:
1. Get your own domain name. This is essential. Is your online gallery limited to your MySpace page? Do you blog on Blogger but not on your own site? Getting your own domain name (a good idea is your name plus a keyword pertaining to your area of expertise) shows that you are serious and you have arrived – and it’s crucial for Search Engine Optimization. Want to find out what site names are available? Go to Bluehost, and click on “domain check”. Create a great domain name to launch your web site.
2. Use a professional email address. This means your email address is yourname @yourdomain.com. Using Yahoo, Gmail, Hotmail, etc. in your professional email address screams “amateur”. This is true for any type of business. People will notice, and this gives them the impression that you are not serious or established.
3. Create an impressive website. You don’t have to break the bank to make your website look great. You need a host (Bluehost or SiteBuildIt are good options), and you can use their templates or download WordPress or other blogging software onto your site to set up your pages yourself if you want to blog. Look at lots of artists’ web pages to get ideas of how you want yours to look. Get professional help if you need to – it’s a great investment for your career.
4. Get LinkedIn. LinkedIn is the social media site where professionals of all types go to see and be seen. Artists have a good representation on LinkedIn because they are businesspeople, too. Open a free account, and set up your profile (upload your photo, that’s important). Take the time to craft a professional resume. Even if you don’t have a great deal of experience, list your accomplishments, your education – and your goals. Look at other resumes to get ideas. Then connect – with lots of people in the art world and in other businesses. Join Groups, involve yourself in discussions. This will help you establish yourself.
Professional marketers know that Perception is Everything. The internet is the “great equalizer” because it gives small companies the opportunity to appear and promote themselves online as if they were really major players, and smart businesses do that. If art is your career, then you are in business, too. Launch your career by looking like a professional. Dress yourself for success!
Searching for Fresh Talent/Interview with Brush Dance President Christine Witt
Jan 13th
By Carolyn Edlund
Artsy Shark loves Brush Dance and the incredible art of this joyful line. President Christine Witt spoke with us recently, detailing how she finds and selects the talented artists who design for them. Visit their web site – they are looking for artists now!

AS: Christine, how do you go about finding artists you may want to use for your Brush Dance products?
CW: Two basic ways. First, artists find us. We regularly receive submissions from artists who have seen our products and feel that their work fits well with what we are doing. Increasingly, though, artists are finding us through Facebook and Twitter. At least a few times a week, I get questions about how to submit art.
Second, we search for artists. Etsy and independent artist websites have been terrific resources for us, but we also keep an eye on design blogs and a variety of magazines and other publications.
AS: You do not generally go to trade shows. Why not? What are you finding, or not finding at trade shows?
CW: My feeling has been that artists exhibiting at trade shows are generally a bit more established – their works have been seen out in the marketplace. (This is probably because it’s so darned expensive to exhibit at trade shows that only more established artists are able to afford to exhibit). At Brush Dance, we have always strived to feature art that has not been seen. We are looking for original themes and ideas.
Having said this, however, I was once approached by an art licensing firm at a trade show. The owner told me he had the perfect art for us. He was right and the line is one of our better selling lines.
I’m willing to be wrong.
AS: Talk about your focus and your themes at Brush Dance. What is the “look” you are seeking? What makes one artist’s work stand out and speak to you?
CW: This is a very difficult question to answer! We don’t always know exactly what we’re looking for– but we know when we find it.
Generally speaking, we like art with lots of details. Give us (and our customers) something new to see each time we look at the image. Make us wonder how a piece was created. What was the inspiration? Surprise us in a pleasant way.
AS: Many artists state that their work comes from personal inspiration. In the business world, we have to produce merchandise that customers will want to purchase. How do you guide your artists to produce work which will have appeal in the marketplace?
CW: Most of the artists we work with are not production artists. They started creating their art because they had to. These artists have a calling that is deep within their hearts and to not answer that calling was impossible for them. Talking with an artist about changing a color or even cropping (!!) their art can be a sensitive topic. Once the idea is gently introduced, though, most artists are open to most changes. It is important to us that it be a conversation, a collaboration, between us and the artist.

AS: Talk about your customers. Your line sends a positive, loving and very affirming message. Who is looking for this?
CW: One of the reasons we sell into such a variety of stores (from huge retailers such as Barnes & Noble to small specialty stores) is the universal appeal of our products. People are looking for encouragement, hopefulness, joy, and intimacy in their everyday moments.
Even though our biggest orders, of course, come from those huge retailers, I have to say that I most enjoy seeing the orders from our website customers. Connecting with the woman who will be writing in the Journal or sending the Greeting Card – it really is very special to me. Even though I never talk with most customers, I see each order as it comes in. I know by looking at one order that a woman in Iowa is up late and that she finds a certain comfort in butterflies. Another woman from California is having her order of ten calendars and date books shipped to her work address – I love to imagine them brightening offices or cubicles.
AS: The Brush Dance product line includes many greeting cards. Are any of your artists providing wording for those cards? If you are using their images and choosing wording for cards, what are your sources and inspiration?
CW: Some of the artists we work with also write. Other artists will include quotes with their work or make suggestions for quotes.
For most, though, we choose the words that go with the art. We have searched through literally hundreds of books looking for quotes and words of wisdom. The magical part is finding the right words for the right piece of art.
AS: What would you advise emerging artists to do to get connected with buyers such as your company, for submitting their work?
CW: There are three things:
- Be easy to find. If you don’t have your own website, join Etsy. (Even if you have your own website, join Etsy.) Get social with Twitter and Facebook . Start a blog, make connections, get your name out there. Talk with people – lots of people.
- Develop a portfolio/presentation. The best portfolios include at least 12 pieces of art and something about the artist. We’re interested in you, your story, and your art. Tell us why you think you’re a good fit for Brush Dance. Spend a serious amount of time on your portfolio so we know that you’re serious about your profession.
- Follow Up. Make sure we received your submission if you don’t hear from us. If your art has changed substantially since your last submission, feel free to resubmit.
Each of these items has the same basic theme – make some noise. As an independent artist, you’re going to have to be comfortable tooting your own horn in order to get the attention (and licensing deals) you deserve.
AS: From your Facebook page, and comments by fans, it easy to see that you have a relationship with your customers that goes beyond being buyers. Was this by design? How did you go about making these connections? Why is this important for your business?
CW: Absolutely by design. I wanted us to know our customers. Not to just have a feeling for who they are and what they are interested in, but to really and truly know them. Facebook, Twitter, and blogging have all made this easier for us. Much like the artists we work with need to create, I need to be in touch with our customers. I need to hear their stories.

Christine Witt
AS: You look at many artists, and their portfolios. What in your opinion are the biggest mistakes an artist can make when presenting their work for consideration?
CW: Easy answer! The biggest mistake artists make is not making the presentation easy for us.
If you have website, it must be easy to navigate. If you’re sending a link, make sure everything you want me to see is right there – or clearly labeled. If you find that you have to send along instructions to your website, it’s time for a redesign.
We get so many submissions and our time is limited. Make it easy for us to see your work and you have a much better chance of your work being seen.
AS: Brush Dance has had some long relationships with artists who design for your line. Can you discuss this?
CW: Relationship building is important to us – corporate buyers, retail customers, vendors, and artists. In fact, some of the artists we work with have been with Brush Dance longer than any of our employees. It is really is our honor to work with so many talented souls year after year.
AS: This past year has been difficult for many businesses, and yet Brush Dance is doing quite well. Can you give your thoughts on how you have created this abundance and what your plans are for the future?
CW: Year after year, Brush Dance’s success can be attributed to the same thing – we have a terrific team of people (employees, artists, vendors, and more) completely dedicated to our success. When everyone is working in unison to create high-quality products, at a price people can afford, success follows.
In 2010, we will continue to grow our line – we’re adding new Calendar, Journal, and Magnet styles this year. More importantly, though, we will continue our focus on customers – on connecting with the people who are using our products.
Christine Witt writes a blog for Brush Dance which gives more insight into the company and the spirit behind it.
Art in Process/Interview with Gilbert West
Dec 27th
By Carolyn Edlund
Artsy Shark recently featured Start Looking, a fascinating site about the process of art. Gilbert West, the creator of the site, answers some questions about why he created it, and how you can submit a video of your art as well!
AS: Gilbert, what led you to produce the site Start Looking? Why the emphasis on the process?
GW: Whenever I go to exhibitions, there’s often a piece of art that leaves me trying to figure out how it was made, so that’s where the fascination with process comes from. Through Start Looking, I hope, in some small way, to widen the audience for contemporary art by showing people who might ordinarily be dismissive of contemporary art that there is a thought out process . . .
We’ve all heard people say “I could have done that” when they see new works of art, but they didn’t do it, so I suppose in some ways Start Looking is a response to that. The name Start Looking is a simple statement, a challenge if you like, to actually look and I mean really look at a piece of art. And then to look again! Sometimes that’s easy if we have an instantaneous emotional reaction to an art work. But sometimes we just need a little nudge and I find that by speaking to the artist about a painting or sculpture reveals an insight that helps me appreciate the work more. I can’t go and talk to every artist in the world, so I seek out short films of artists working or discussing their work.
AS: Your site is growing quickly with frequent additions of video. What are your plans and how would you like your audience to interact with you?
GW: Audience interaction is crucial. I only write a couple of lines about each video to stimulate a bit of interest and that is a deliberate policy on my part. Watching the video should be a starting point for people to leave their reactions.
At the moment, I’m committed to adding a new video every three days, but as it’s a new web site, I’ve been adding new material every other day.
AS: Are you looking for anything really unusual to feature on Start Looking?
GW: As I’m not an artist, it all unusual to me at the moment! I’m looking for videos that give me an insight into the day to day life of an artist in their studio. You cannot be comprehensive when it comes to artists, there just so many, and therefore you have to start making judgments about what is included in a site.
I just pick out the stuff that interests me. Anyone is welcome to suggest new videos that fit the criteria and I watch everything that is sent to me.
Interested in seeing a video of your own creative process featured on the site? Visit Start Looking, take a look around and submit your own video!
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