A Site for Emerging Artists
Posts tagged Business of art
How a Decorative Painter Built a Business
May 10th
By Carolyn Edlund
Artist Debra Disman is an entrepreneur, teacher, writer and successful artist who shares her career story in a two-part interview. She created her business in a deliberate and multi-faceted way, and continues to be involved in many endeavors, all of which help to build her reputation and drive more business. Debra shares her experience for the benefit of emerging artists . . .
AS: Tell us about your background and how you got involved with decorative painting.
DD: I majored in Painting at the University of Iowa, and was also in the Iowa Writers Workshop in Poetry. After college I moved to San Francisco and taught at the De Young Museum Art School. This set me off on an arts teaching career that took me all over the Bay Area providing art classes, workshops and trainings, primarily funded by grants and fellowships that I wrote or co-wrote.
During that time I was painting and creating mixed media work and was commissioned to do a piece of “art furniture”, a painted chair. I fell in love with the process!
By chance, I discovered the Paint Effects Shop and Studio where the techniques of Decorative Painting were being taught. I couldn’t believe a place like this existed! I had never seen a business model like this close up – the combination of art and commerce, retail and instruction, with no apology! I inquired and was later hired on the strength of my teaching experience and painted furniture work.
Having traveled and lived in Europe, I was fascinated by the historical aspect of many of the finishes we taught, as well as by their contemporary applications. Informed by my own experiences and study of art history, I began to develop my own approach and voice. I acquired clientele and thus my business grew. When Paint Effects ceased to exist as an entity in 2001, I went out on my own.
The field of decorative painting has so many applications and takes place in so many different environments. It really helps to have diverse artistic, technical, business and people skills.
AS: You took business courses to help you get started as an
entrepreneur. How did this help you and what have you incorporated into your business practices?
Most art schools don’t train us to be business people or entrepreneurs, which is exactly what you have to be if you don’t plan to pursue a full-time teaching career or have some other form of income. So it is important to embrace the process.
I had actually been conducting my business for over five years when I began attending the Renaissance Entrepreneurship Center in San Francisco and took “Start Your Own Business” and “Business Planning” classes. In addition to creating a business plan, I was given an overview of the totality of running a business, a context for many of the issues I was dealing with, and a community of people to interact with around those issues. I met my awesome web designer, Dianna Jacobsen of Jacobsen Design through Renaissance, where she also studied. I was introduced to many basic concepts – not just financials, the business plan and feasibility – but the concepts of networking, marketing, and connecting with others. My experience at Renaissance showed me a way out of isolation, which I think is a great pitfall for visual artists, even those actively involved in business, as we tend to work solo.
Subsequently I joined and was active in Business Networking International (BNI), social (online) networking communities, and Professional groups like MeetUp. In addition, I began training with the International Association of Colour Consultants and Designers (IACC) to enhance my color skills and developed a further network there. I can see the line from Paint Effects, to the Renaissance Center, to BNI, to online networking, to professional groups. I made extraordinary connections through these associations, which had a powerful effect on my career.
AS: You have mentioned writing, and expressed that it is something that you love. Is writing a skill that you think aspiring artists should develop?
DD: Being able to write comprehensively is a crucial skill to have – in all fields. It helps you clarify your own ideas, plans and goals, and also communicates these to others, which is necessary if you are going to have any measure of success professionally.
One of the joys of doing this interview is that I can share and offer advice on what I didn’t do, as much as what I have done! I didn’t write a business plan initially, nor would I have if I did not attend the Business Planning Class at the Renaissance Center. I had been taught to organize my thoughts through writing, and that skill has proved to be invaluable. Whether it was writing lesson plans, grant proposals, website text, or articles, writing intelligibly has been critical to my livelihood. So, when I did get to writing the business plan, I was comfortable with the process.
Writing dovetails with marketing activities, educates others about your art, and raises public awareness of it. I became a columnist for the Bay Area Women’s Journal, and the opportunity to write about decorative painting gave me a whole new view of what this multi-faceted art form contributes to our world, and my own relationship to it. Writing gives us the opportunity to offer advice and inspiration to others, which is another way of giving back.
Visit again for Part 2 of her interview, in which Debra discusses marketing and time management techniques.
Greeting Card Entrepreneur Designs Her Own Success
May 2nd
By Carolyn Edlund
Eight years ago, Louisa Huang was working on her PhD in Education Administration when she made the decision to stay at home with her children. At the same time, a friend encouraged her to design a card line based on a charming birthday invitation Louisa had created for her son’s party.
Completely self-taught, Louisa designed about 30 greeting cards, forming her line which is known as Paper Musings. Simple yet elegant, these cards are printed professionally. Louisa and an assistant then hand-apply glitter, rhinestones, quilled paper, felt and other attachments to make each card very special.
Her first step was to pound the pavement near her California home, approaching independent stores with her products. When no buyer was available for an appointment, she left samples. About half of the stores decided to try her line, and her business was born. One buyer passed a sample along to a sales rep they knew who got in touch with Louisa. Eventually she met with the rep group manager and they signed an agreement to take her line into their showroom, and on the road via their reps.
The first suggestion made to her by the reps? Double the size of your line! She diligently kept creating, and now has about 250 different titles. Louisa indicates that birthday, wedding and baby cards are her most popular.
What makes this line successful? Many different factors:
- Sales reps from two rep groups have given her lots of exposure.
- She has a professional website, which presents her work to retailers. (She is not selling retail from the site).
- Louisa has a paper catalog and sends samples along with it to potential accounts.
- She targets more upscale retailers who can handle her retail pricepoint and do well with it.
- Her style is clean, whimsical and charming. People connect instantly with the designs and love the added handmade touch. Her paper is a heavy card stock, with scalloped edges and translucent envelopes.
- A $150 minimum opening order with $50 reorders makes the line easy for wholesale buyers to try with little risk
- Her line is “amusing, surprising and inspiring” with touches such as windows and colored dot brads which provide different and fun formats to the cards.
- Counter cards (individual cards) and boxed sets of Thank You and Notecards are available.
Although Louisa considers herself “fortunate that people discovered me”, she is an excellent example of how we make our own luck. If you are an aspiring greeting card designer, consider how you are going about creating and marketing your line.
Take a critical look – are your designs visually strong, easily recognizable and impactful? What is special about your line – including the paper, envelopes and format? Is your line large enough to provide variety and be taken seriously? (see What you Didn’t Know About Starting a Greeting Card Line and Greeting Card Biz Insider Secrets for more tips).
How are you marketing – trade shows, internet, sales reps, catalogs, or other methods? To drive traffic to your website, are you optimizing incoming links which will provide a pathway to your prospective customers?
Louisa recalls that she “tried everything and made many mistakes along the way”. One of the greatest reasons she has been successful with her line is the sheer persistence she has shown in growing and adapting even in a tough economy. She continues to develop her line, using concepts and embellishments in new and unexpected ways to create “whimsical artistry with clever musing, playful illustration and heartfelt pondering.”
Make a plan and set goals for your business. Be willing to change and take suggestions from mentors and other professionals. Be persistent and work from the heart.
Got a card line you are launching? Please comment and link to your website!
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Sell Your Art by Making a Connection
Apr 28th
By Carolyn Edlund
Why do people buy art, and why will they buy from you?
The truth is that in order for people to be motivated to make a purchase, there has to be a connection between your work and something that they need, love or want. That connection can take many forms, but an artist who is a smart businessperson will know this and use it to plan their work, market their work and sell their work.
Themes definitely sell. For example, people love animals, especially their pets, and they always will. Many artists and craftspeople use these themes to make a living. Just consider that vast market! Whether depicting dog breeds, painting cats or horses, or doing personal pet portraits, these artists will rarely lack for business because of the sheer popularity of these themes.
Another theme is jobs – a personal connection just about everyone relates to. Think Norman Rockwell and his famous illustrations of the doctor’s or dentist’s office, and how many are hanging in waiting rooms.
Locations are a great theme. You may know an artist whose images of local scenes have been selling work for years to an enthusiastic crowd who relates to a favorite bar, landmark or street scene. Robert McClintock is a great example of an artist who has become very popular painting local scenes in Baltimore, Maryland.
Another twist on this is using locations that you haven’t been to. Poster companies know well that the consistent bestsellers are photographs of gorgeous exotic beach scenes. There is no one out there who wouldn’t rather be in Tahiti than their cubicle, and they can have their dream vacation pictured right on the wall.
A hobby or interest is a great connection. Avid boaters will be interested in nautical scenes, hunters buy duck and wildlife prints like crazy, civil war buffs are great customers for galleries who cater to that niche. The range of interests is dizzying, from kitschy or nostalgic looks to sci-fi to fashion and more. If you want to work in a niche, you can easily do targeted marketing to reach your audience, become known to them and design specifically for them.
How about politics? A prime example is Shepard Fairey’s portrait of Obama which became explosively popular during the elections. Back in 2006, Yale grad student Erin Crowe painted numerous canvases of Alan Greenspan as her chosen subject. At the time, many people were financially flush and credited Greenspan for their prosperity. Her exhibition sold out, netting her thousands of dollars.
Consider whether using themes or appealing to a niche market is appropriate for you and if it interests you. Research and KNOW your customer and where their interests lie. Understand why they buy and what else out there appeals to them. Sell your art by making a connection. What connections can you think of?
Like the dog portrait in this article? Visit artist Pam Utton’s Facebook page and enter by April 30th to win a free portrait of your pet!
Explode the Myths and Build Your Art Muscle
Apr 23rd
By Carolyn Edlund
Aletta de Wal calls herself an “Artist Advisor”. She is actually a powerhouse of a coach who guides artists from starving to successful, and helps them do this while feeling great about their careers. Aletta’s gift is teaching artists how to structure their lives and activities to get the most out of every plan, think in new creative ways and celebrate achievements. Visit her website, www.artistcareertraining.com to get more information about building your career.
AS: Artists launching their careers need to have a good “road map” of what is ahead of them, but often have belief systems in place that are faulty. Could you discuss some of the myths about artists that hold people back from successful careers?
AD: Myths serve no purpose at all except as real roadblocks to the careers of the artists who subscribe to them. Here is a sampling of the 12 myths I see most often:
Myth #1 – If I Just Do My Art, Everything Else Will Work Out
Many artists still mistakenly believe that they can just create their artwork and let other people worry about the business side. You must focus on your art and on your business.
Myth #8 – Artists Are Not Business People, My Dealer Will Handle Everything
Artists often imagine that representation means that the gallery will handle all of the business side of art. Wrong! Galleries are business partners, not caretakers. You need to promote your art career and run your own business.
Myth #9 – All Good Artists Are Poor
Artists who believe that “true” artist is “starving” think this lifestyle keeps them “in touch” with their creativity. Even the archetypal starving artist, Vincent van Gogh, wasn’t doing so badly. He worked in an important gallery for six years and his brother, a wealthy gallery dealer, sent him a generous monthly stipend. You owe it to yourself to make the kind of living you want and are willing to work for.
Myth #12 – One Big Break Will Make My Career
There is no such thing as overnight success. All great achievements are made up of many small acts. Tenacity, perseverance, and preparedness dispel the illusion of instant success. Many small breaks will create a sustainable career as long as you take one step at a time towards your future goals.
Once you demolish these myths and understand the realities of being an artist, you can make choices to build your own version of a creative career path.
AS: In your courses and writing, you mention the “Realities” of being an artist. Could you explain these?
AD: You will encounter creative blocks and cracks in your confidence. That’s part of business. Working through them builds art muscle. Start with this mindset:
You Are in Charge of Your Art Career
When you are in your studio or making art “plein air”, you are in charge. You decide what to create. You are also in charge of deciding how and where you want to exhibit your work – whether you sell your work directly to collectors or partner with galleries, museums and licensors.
You Are an Artist and an Entrepreneur
Entrepreneurs are the artists of the business world. If they fail to build a business structure, the business fails. When you decide to sell your work, you become an entrepreneur. Once you have enough art to start showing and selling it, you have to learn the skills of marketing and sales.
You Must Balance Making and Marketing Art
Without marketing, you don’t have a business, you have an expensive hobby. As an emerging artist, you will spend 75% of your time making art and learning to make it better. In the other 25% of your time, your top two priorities are to:
• Create the shell of your business, so that you can deduct expenses and pay taxes on your income, just like any other real job.
• Build relationships focused on your art and your interests, so that you build an audience.
Established artists typically divide their time equally between making art and handling business and marketing activities.
AS: What practices would you suggest an artist put into place to start thinking in a positive and balanced way about promoting and selling their work?
AD: Choose your company carefully. Avoid the artist who has “done it,” and “it doesn’t work.” Study and hang out with successful artists have a positive mental attitude about their career. It makes a tremendous difference!
Think, do, celebrate. Decide what you want to achieve with your art and the lifestyle you envision. Set goals with action steps and a timeline. Then do something every day that will take you a step closer to your goals. Write down what works and change what doesn’t. To keep yourself motivated and your spirits up, celebrate every accomplishment, no matter how small.
AS: There is a difference between merely surviving and prospering as an artist. What attitudes and actions do prosperous artists have that can be a model for emerging artists?
AD: Artists who survive go from action to action without an overall plan or ways of measuring progress. Create a solid foundation for prospering by building “product”, nurturing relationships and positioning yourself in the art world.
• Master your medium and subject matter. Decide what gives you the most joy and energy. Notice where you need to learn more and find teachers and mentors to help you.
• Do business professionally, with a business name registration, a vendor’s license, sales tax ID and separate bank accounts and credit. Aside from being legally ready, this will build your confidence.
• Be visible. Go to art events weekly. Observe how art marketing works when it is done well, and when it is done poorly so you can avoid expensive mistakes.
• Build relationships and grow your mailing list. Get to know people in your
area – artists, buyers, and dealers – and ask them if they would like to be on your mailing list. Make notes about each person and start a database to keep track of what you learn about them.
Of course this is just the tip of the iceberg! For more detail and a special download available to Artsy Shark readers, visit Aletta’s website . For a free 15 minute consultation, please e-mail Aletta@ArtistCareerTraining.com.
7 Ways Artists Can Maximize Website Traffic
Apr 19th
By Carolyn Edlund
How’s your art website doing, traffic-wise? Want to drive more visitors, and more customers to your site? You might be a beginner, but there are lots of ways to gain traffic effectively that don’t take a ton of experience as a webmaster. Some are incredibly simple.
- First, evaluate your website. You should have Google Analytics giving you stats that monitor and can help you improve your site and your SEO (Search Engine Optimization) through more effective use of keywords. Go to Alexa to see how your site ranks among all the other sites out there. As you expand the number of visitors and links into your website, you will see your rank improving.
- Next, check out Hubspot’s Website Grader. They will give you a rating, and suggest good ways to beef up your site and attract more visitors. Check out Blog Grader while you’re there.
- High page rank on Google is important for search engine purposes, and Google likes active sites. This means that frequent updates will help you. Sure, you may have your professional information and your gallery on the website, but adding a blog which is consistently updated and contains lots of links is a definite plus. About those links – you should link to lots of other sites, but also add “deep links” which lead to other pages within your own site.
- Here’s a simple technique. Add an automatic signature to your email, which lists your web page. This provides a link to everyone you send an email to, every time.
- Make it a priority to get backlinks. Links to your site from other sites will drive a lot of traffic and gain publicity. Commenting on other blogs, especially really popular blogs in your niche will create links to your own page. Always select “name/URL” to comment, and make insightful comments that may make readers curious and want to find out about you. Or ask a question that will spur more discussion.
- Another way to get backlinks? Give links to other websites. Find sites that you really like and want to help promote. Contact the owner and let them know you have linked to them. They won’t always link back, but often they will, creating ways for people to find you.
- Want to know where other successful artists are linking? Here’s a great way to find out, and it’s not unethical. Make a list of the artists you admire and their web addresses. Go to Yahoo and enter this into the search box: linkdomain:www.nameofotherartistwebsite.com. All of their backlinks will come up! You might decide that sites which feed into theirs would be a good place to make a blog comment, or even advertise.
This is just a start to getting publicity for your site which will lead to visitors, and customers. A terrific resource for artists, or any businessperson with a website, is Inbound Marketing: Get Found Using Google, Social Media, and Blogs (The New Rules of Social Media) by Brian Halligan and Dharmesh Shah. It’s a must-read to become as effective as possible in promoting yourself online.

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Featured Artist Julia Hacker








