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Posts tagged Business of art
Consultation Case Study: Improving a Greeting Card Line to Increase Sales
Sep 7th
By Carolyn Edlund
Is This Greeting Card Line Ready for Retail?
In a recent consultation appointment, I worked with an artist who designed a line of greeting cards, and has a wholesale catalog in process. She was looking for help in evaluating her line as a whole, and wanted specific advice about making necessary changes, so that her products would be as saleable as possible.
We discussed sentiment categories, sizes, pricing, stock and envelope choices, cellophane, barcodes, terms, minimums, headers, display options, trade shows, related products, and marketing strategy.
Evaluating Categories
One of the most important factors in determining the success of a card line is balance. When a card artist schedules a consultation, we always start by evaluating the percentages of their line that fall into different categories, to be sure they are properly balanced for the marketplace.
We took a look at the percentage of her line greeted as Birthday, and decided to increase it by changing the greetings on some non-Birthday cards. If Birthday is not a full 50% of the line, it does not reflect market demand. Then we reviewed other categories, such as Friendship, Anniversary, Thank You, Sympathy, New Baby, etc. If these sentiment categories are not in the right percentages, sales suffer there as well.
Blank Cards
I found that this artist had too many blank cards in her line, and was unsure of which ones to keep. We discussed how to choose the cards in her line that would work best as blanks.
Many artists produce blank cards only, which is a pet peeve of mine. If you are willing to turn away 90% of American buyers (who are looking for cards greeted on the inside), then go ahead and produce your blank line. Store buyers have little interest in looking at “yet another line of blanks,” no matter how pretty or appealing.
Consumer demand determines what sells, and you need to supply what they want in order to be successful. I give a pass on the issue of blank cards to artists primarily creating paintings or drawings who just want to sell packaged boxes of blank notecards as a sideline. End of rant.
Fine Tuning the Line
Another crucial process in getting a line into stellar shape is to review each individual card. The image on the card grabs the customer’s attention, but the message will sell it. Is the message clear and complete? Does it work? Take a look at your own line, and evaluate each one. Ask yourself, “Who would buy this card and why? Who would they send it to?” If you don’t know, make some changes.
My client’s line needed some adjusting, particularly because she had some categories which aren’t popular enough to include in a small collection. Several of them were in the “Bon Voyage” category, which accounts for about .0001% of card sales in my estimation. We worked together to change the greetings and put them in more popular categories rather than let them languish as unsold inventory.
What to Toss
Other categories generally not worth including (unless you have a large line or specialty market) are New Home, Good Luck, Retirement, Bridal Shower, Baby Shower, I’m Sorry, and Pet Sympathy. Seasonal (holiday) cards of all types and cards for relatives should also not be included in small card lines. Some people may take exception to this, citing their Christmas card collection. Include that holiday if you must, but be aware that returns/exchanges and other issues may surface with your retailers.
Pricing
My client felt unsure about her pricepoint, and also whether she should be printing the retail price on her card. We adjusted the retail price for her, and I strongly suggested the price be printed on each card. I do not know of a single retailer who has the time or interest to stick prices on greeting cards.
Artists should become acquainted with average market prices for their type of product. Don’t try to reinvent the wheel on this with an unusual retail pricepoint. For example, $2.17 is not a card price. Prices typically end with .25, .49, .50, .75, .95 or .99, and the public is accustomed to this.
Goals
A card line consultation and review encompasses many topics. We address the line as a whole, and every aspect of the processed involved in selling it – making it ready for retail.
When evaluating your own card line, work towards accomplishing these two goals:
- Adjust the line to make it easier and more appealing for the customer to choose your cards over your competition
- Remove any barriers to the sales process, both at wholesale and retail
In this competitive industry, small details can make a huge difference. Does your card line measure up?
Finding and Targeting Your Market
Sep 3rd
By Carolyn Edlund
The results are in . . .
Four days ago, I posted a poll on Artsy Shark asking my readers to describe their goals. Of the multiple choices listed, an overwhelming 79% responded that they want to work as full-time artists selling their work. Why did I ask? This information helps me stay on topic in future articles and interviews, gathering and sharing knowledge which matters to artists who are entrepreneurs, which are my audience.
What are your results?
Taking a poll is one method of identifying an audience and understanding their needs and wants. You can do similar “research” by speaking with your customers, observing shoppers who respond to your work, and engaging in conversation with gallery owners, consultants, retailers and other artists, who may have important input to help you determine your target market. This will enable you to hone your product line, focus your marketing, choose trade shows in vertical markets, and use your advertising budget wisely.
Niche markets
Constantly evaluate the marketplace and where you fit into it. This will enable you to take advantage of niches where your work can flourish.
An example of this is metal sculptor Tom Torrens, who has designed bells, fountains, gongs and outdoor sculptures for thirty-five years. Originally selling products to gardeners, birdwatchers and landscapers, he found that members of the clergy were purchasing his birdbaths for garden sanctuaries and use as baptismals. Thus was born a new market for his work, which has evolved into an entire liturgical collection ranging from offering plates to altars.
Go where your customers are
What do buyers in your niche care about? Do they love fine wine, anime, duck hunting, NASCAR racing? What is their lifestyle, their habits and their budget? Do they gather at conventions, retreats, resorts or even camping sites?
Once you have decided to target a market, get involved and educate yourself about the niche and all its nuances. Attend their events, and make it a point to meet people, especially leaders and influencers in the group. Network with other vendors to understand buying habits, and create strategic alliances with those who don’t compete with you but share the same customer base.
Be authentic. If your work is geared toward a niche that you truly care about, you will want to become more involved and educated. As sales follow, you can immerse yourself even further and become the “go-to” person for that niche when they are buying related art or handmade items.
What are the benefits?
When you become well-known in a niche, you will enjoy the reputation of being a desirable source for the needs and wants of your group. Customers seek you out rather than you having to chase them. You will also receive referrals from satisfied customers – the best source of quality business leads. Testimonials will also help you build your reputation.
Many businesspeople in different industries have built extremely successful careers through targeted marketing, and you can too. Do your research, target your market and increase your own business through selling to your niche.
See more of Helene Kippert's work at www.helenekippert.com
Artist Profile: Smart Strategies for Licensing
Jul 25th
By Carolyn Edlund
How planning and excellent presentation put one new company on the road to success
Linda Warner Constantino and Dona Warner are sisters, and partners, in Linadona Botanica™ LLC, an art business which debuted in January 2011. Both of them have extensive backgrounds in fine art. Linda is a plein air painter who also teaches watercolor, portfolio development and Photoshop (she’s a certified expert) at Savannah College of Art and Design. Dona holds a degree from the Tyler School of Art, and is a former sculptor who now works as an administrator in the production of art.
Linda creates the artwork, while Dona acts as a critical eye and takes care of the business end. They have put together a first-class package to present to manufacturers who would license their artwork, and are a prime example of how preparation and excellent presentation make all the difference. Linda and Dona agreed to share their experience.

AS: What has drawn you into the world of art licensing?
LC: As an artist I paint plein air landscapes, still life painting and a variety of illustrative work, using watercolors, oils or sketching from life. Over the years I have focused more on botanical subjects, working almost exclusively from life.
Using my hand painted botanicals, I apply my skills in Photoshop to design repeat patterns, manipulating the background colors, scale and juxtaposition of forms. My intent is to try and lend a more contemporary feel to the botanicals while retaining their natural appeal.
Although botanical subject matter is not new to the art licensing world, there is always room for a different interpretation. I am continually inspired by nature and like the idea of art on useful things like aprons, tabletop, or stationery.
I am attracted to art licensing because it is somewhat speculative. I can create what inspires me and then “go fishing” with the designs. I find a greater sense of freedom to be creative and pull from my own personal experiences with the subject matter that I choose.

AS: Your portfolio shows designs on prototypes. What is the thought process behind this?
DW: We start with a pattern and then determine the type of product we might like to see it on. We try to consider the manufacturers perspective as far as the ability to market the product. In a way, it advances the dialogue between licensor and licensee to see the art prototyped, which in turn, helps determine if there is going to be a good business fit.
Linda creates product templates using the vector tools in Photoshop (not Illustrator) and brings scanned art into Photoshop. Then she finesses it onto the templates using clipping masks, pattern fill layers and layer styles.
AS: You’ve done a lot of research before exhibiting. What suggestions would you have for other artists looking to get involved in shows?
LC: Walking the Surtex show provided us with a wealth of information about what presentation style appealed to us as much as it defined how we did not want to present ourselves.
We tried to get ideas about the type of products that might work with our designs, current trends and the quality that specific manufacturers had to offer.
In preparation for exhibiting your work, we suggest:
- Give yourself a full year and get organized with a timeline of what has to be done and when.
- Develop your materials with both a consistent look and message. Repetition helps the audience to begin to identify the imagery with your name.
- Take advantage of the free promotional opportunities and have a story to tell that is your own.
We did a small scale mock-up of our booth in foam core board and placed scaled copies of the artwork into the model to help us visualize the overall look of the booth This made installation so much easier because the majority of the decision making was done in advance.
AS: Your botanical style is “authentic” to your personal vision, exemplified by your blog, which is about gardening. How this was developed?
DW: Our blog is about art, gardening, cooking and the home: the things which influence our lifestyle. Choosing to illustrate flowers, fresh fruits and vegetables as the theme for our business is really the result of a lifestyle that we shared starting at a very young age. It was not unusual that we each chose to study art and then came full circle to create a business that is very much about bringing art into the home, using nature as our subject.
We have a shared sense of aesthetics that makes for a great partnership, and bounce everything off one another to reach a level of refinement that we can both feel good about. We are brutally honest with one another – through the process of collaboration, it can often lead to something far better.
Is There a Future for Trade Shows and Sales Reps?
Jun 7th
By Carolyn Edlund
Are these traditional forms of selling working any longer?
You might be under the impression that if you take your line to a wholesale trade show, you’ll be exhibiting at a venue which will produce lots of orders and expand your business quickly.
You might be under the impression that if you could only get some sales reps showing your line, it will be sold in stores all over the country, bringing increased income and keeping you constantly busy producing in your studio.
You also might be – wrong on both counts. Although I want to stress that I firmly believe that exhibiting at trade shows and having sales reps carry your line are still viable options, these two methods of selling have been going through a dramatic upheaval during the last ten to fifteen years, and that trend is accelerating.
With the advent of internet shopping and an abundance of websites, the face of commerce is continuing to change entire industries. Traditional methods such as traveling to trade shows to place orders for merchandise, or sitting down with a rep for an in-person appointment, have been in decline for quite a while. Still, those face-to-face meetings, and the personal relationships that develop from them, are the glue that creates customer loyalty and drives repeat orders.
Here are some of the problems that have come with current trends:
- Many independent retailers have closed. Chain stores have been overtaking the “mom and pop” stores for decades now – this is a national phenomenon. Combined with the poor economy, it has led to the closure of many stores who just couldn’t compete, or get loans for their ailing businesses. Empty storefronts are evidence that new independents are not taking their places.
- Prices for domestic goods are getting more expensive. At the same time, manufacturers are continuing to go offshore to produce merchandise – which floods the market with cheaper items that are putting U.S. small businesses on the ropes. This makes it essential for those in handmade industries to differentiate themselves and sell on value rather than price, and to choose their markets carefully.
- Many larger-sized gift and accessories companies have given up on an employee sales force, moving to outside rep groups so as to avoid offering salaries and benefits. A trend has emerged where these manufacturers then suddenly reverse course, dismissing all reps in an attempt to save on costs. After finding that an in-house customer service staff can’t make enough sales over the phone and online, outside rep groups are again hired. This type of whipsaw treatment leaves reps not knowing which end is up – and can cut their income dramatically, especially if they have lost core lines which can’t easily be replaced. Their smaller lines (that’s you) then suffer because they can’t provide the base income a rep needs.
- Sales reps are under increasing pressure, with costs such as gas and lodging skyrocketing, and fewer accounts to call on. For a rep to have a profitable day, they have to book enough solid appointments to make it worthwhile to get on the road. Sometimes that means they spend a lot of hours in the office prospecting and not so many outside. As a result, many long-time reps are leaving the business, and the next generation is not filling in the gaps.
- Trade shows are in a major transition, and will continue to evolve and consolidate. In the heyday of the 80′s and 90′s, creative industry shows had huge numbers of vendors, and competition was fierce. They have since shrunken in size, and many times the quality of merchandise being displayed has deteriorated. Quite often these events have moved to lesser-expensive cities and promoters themselves have moved to cheaper corporate headquarters and laid off staff to save on costs.
What’s a Creative Entrepreneur to Do?
Are there fewer opportunities to sell your work? Actually, no – there are more! With ecommerce, you now have a global audience, not just a local or national one. The answer lies in working smarter, evolving your business during this transitional period by identifying new trends and niche markets you can exploit, and creating strategies that enable you to grow rather than stagnate. Here are five ways:
- Diversify Your Income. By using multiple channels to sell your products, a varied stream of income is created. You can’t count on one method alone anymore. Selling both retail and wholesale, online and in-person, having a store and shopping cart on your site, and considering art licensing are all options that could work. Identify and experiment with different marketing strategies. Expand those that are working for you, and stay attuned to trends to stay on the cutting edge.
- Update your product mix. If you make bookmarks, and the world is buying Kindles, you have a problem. Research the market to find new product categories that are emerging, and how you can adapt to them. Also consider using techniques to boost the ticket on each sale to increase your profits.
- Create a professional website and use social media. Branding is essential to attracting attention and being identified. Make sure you have a dynamic presence online, using inbound marketing techniques and social networking to stay in front of your audience. This becomes an integral part of your whole package – without a professional, user-friendly website, you will be left behind.
- Be a partner to your reps. It’s not enough to send samples to a sales rep and expect them to perform. Provide everything they need to remove barriers to sales, making it easy for their buyers to say “yes”. If a rep is working smart, they are evolving into a consultative role with their customers and using new technology. This may mean reps are connecting with buyers via Skype, using your website to present new product releases, and maintaining an online presence such as a blog, Facebook, or YouTube to stay in touch and cement their business relationships. Do you have a pdf of your line sheet? Are you providing your sales force with plenty of sales aids, both physical and virtual, to make a great impression and reinforce your brand? Do you provide excellent customer service? Buyers are more likely to purchase when you have a serious business presence.
- Make smart choices on trade shows. Thoroughly research whether a trade show is right for you and your product line before you commit. Check exhibitor listings, and view their websites to scope out your competition. See whether the promoter has listed major attendees – are they your type of customer? Chat in forums with previous exhibitors for feedback on their experiences at the show. Walk the show before you do it to find out for yourself – this experience gives you tons of information, which could save or make you thousands of dollars. And when you do choose a show, make sure the promoter provides excellent communication. Look for lots of support in terms of pre-show informational webinars, and lectures and seminars on trade topics during show week as well.
You can survive – and thrive – in this changing world by increasing your level of awareness of how your potential customers are making choices and what they are buying. Both trade show promoters and sales reps themselves need to adapt, and you as a creative entrepreneur do also. When you transition your business along with the evolving market, you can stay “lean and mean” and take advantage of good practices to expand your business.
The author writes articles and provides consultation for creative entrepreneurs building their businesses, and has an ebook coming out later this year on Smart Wholesaling Strategies.
How to Make Your Customers Fall in Love with You
May 26th
By Carolyn Edlund
Remember falling in love? Were you swept away, obsessed, deliriously happy? You can make your customers feel that way about you. First things first, though – you have to meet and create that spark. A well-planned strategy to connect with and court your prospective clients can make them fall truly, madly, deeply in love with you and your work. Are you ready for love? Let us count the ways . .
- Put on your best appearance. Your website is one way to do this. Is it attractive, appealing, enticing? Does it draw in the viewer and make them want to find out more about you? What images are you using to portray your work? Are they beautifully and professionally photographed? Would they represent you well if you were entering the most important art exhibition on the planet? Because you are – you will see more art online than anywhere else. Stand out by making every effort to be noticed for your striking appearance at every opportunity.
- Be inviting. Ask your prospective customers to go steady by subscribing to your email list, blog feed or becoming a friend on Facebook, Twitter or other social networking site. Throw a party by inviting them to “special event” on Facebook so you can get to know each other better.
- Listen to them. Isn’t that what we all want? Recognition, validation, and respect. Genuinely ask their opinion, and promptly respond when they contact you. Answer their comments on your blog. Invite communication, and engage in conversation with a focus on them, not yourself.
- Be fresh, intriguing and exciting. Part of the attraction is offering something desirable on a regular basis. Concentrate your efforts on keeping your work fresh to keep your audience wanting to see what you have to offer next. Remember to smile – be upbeat and positive. Life sucks sometimes because bad things happen, and it’s not always easy. But your customers don’t really want to hear all about that, so be authentic but don’t dwell on the negative.
- Work on a deeper relationship. Stay in touch by email newsletters and updates, a personal handwritten note or even a phone call if appropriate. Wouldn’t you want to be really irresistible to someone falling in love with you? Strive to be incredibly interesting and helpful, and even a little sexy (in a businesslike kind of way). Get the conversation going – address them personally and acknowledge them. Let them know how happy you are that they’ve joined you. They will become your avid fan when you open your arms and embrace them this way.
- Don’t appear too needy. We’ve all seen this type of behavior, and it’s a turn-off. “Please love me, please buy from me” won’t gain you any customers. It will make people run from you. So be confident, poised and work hard to make a great first impression, and let others know you are “available” in a professional but approachable way. Even if you are new and lack confidence, take a deep breath and relax. If you have marketed yourself well and started building your network, they will come to you. Relationships take time!
- Give them love and attention, but let them chase you a little. All great lovers know that to be truly irresistible, you have to leave them wanting more. Show you care, but be a tiny bit mysterious. Include “teaser paragraphs” in your communications, with a link back to your website that they just can’t wait to click. Be accessible, but don’t give it away all at once. Your fans will want to know more about you. This is why the public loves meeting a designer or artist in person. Who is that incredibly talented, wonderful artist, craftsperson or designer that everyone is talking about? Why, that’s you!
- Be patient, and understanding. This is what customer service is all about. When things go wrong, or your customer is unhappy, go the extra mile to make it right. Listen and offer to work things out. Even if you “break up”, part on the best terms possible. You can keep your good reputation when you treat all of your customers like they are your best customer.
- Do nice things “just because”. A small extra gift tucked into an order, a personal thank you note written on a packing slip or a special offer just to say “I appreciate you as a customer” goes a long way to endearing you to your audience. Do the unexpected without expecting anything in return. Unconditional love is the best. Plus it brings you good karma!
- Grow your relationship. As your love match matures, customers will want to buy from you again and again. Cultivate your collectors, and encourage this. Repeat business is wonderful, and it’s much easier to obtain than always looking for the next hook-up. When your fans adore you, they will want to tell others about you too. Ask for referrals and testimonials from people who are satisfied customers and who believe in you and what you do. They will often be pleased to do this, because they care. Then you get to meet new potential clients, and share the love!
See more of Lisa Kretchman's work here.
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