A Site for Emerging Artists
Posts tagged fine art
Top 5 Tips on Getting into More Juried Art Exhibitions
Nov 7th
Guest blogger John R. Math is a consultant and expert in the field of art marketing. He is also the owner of www.lightspacetime.com online art gallery, which holds monthly themed art competitions. The winners are promoted with a group exhibition in the following month.
If an artist wants to be considered and known as a “serious” artist, it will be necessary for them to compete against other artists in juried art competitions and art shows. In order to help build and develop their artistic resume,’ artists will find it necessary to enter juried art competitions on a regular basis. By entering and being accepted into juried art competitions, this then becomes a “third party” endorsement of the artist’s skill and artistic talents.
It is through juried art competitions and juried art shows that an artist’s career and professional development will progress. By successfully participating in these events over time, the artist will then be taken more seriously by art galleries, art buyers and art reps. It is a progression and a process that takes time for an artist to learn and adapt to, in order to succeed.
This article will hopefully make the artist who is new to art competitions, aware of some major areas as to why their art is rejected when entering a juried show. Many times it is not the quality of the art that is being rejected but rather it something else that the artist did or did not pay enough attention to in the competition’s prospectus, rules and underlying theme. Here are some points to consider and to be aware of when entering art juried art competitions:
1. Apply only to competitions that truly fit with your art
Artists will sometimes miss what the organization is really after in terms of the theme or the parameters of the competition. For instance, an artist who submits their Black and White photography into a competition with a theme about “Bold or Bright Colors” will get rejected. I know there are people reading this who are saying “but black and white are colors too!” Yes they are, but black and white are not in keeping with the spirit of the theme and scope of the show.
For our monthly competitions we plainly state that we only want two-dimensional art for our shows and we still receive pictures of sculpture, jewelry and crafts or even videos! Many times the work is fantastic, but again it is not what we want and the artist has wasted their time and money by placing their art into a competition that just is not suited for what they create.
2, Submit the best representation of the actual art
What does this mean? Every month we receive entries whereby the artist has taken a picture of their art with a “point and shoot” camera. The art was not level, the camera is not perpendicular to the art, the image is under/over exposed, the background is showing, the picture frame is in the image, there are hot spots on the art and pictures are taken with reflections in the frame. It may be obvious that the art has the potential to be good, or even exceptional, but we really cannot tell based on what was submitted.
The artist should either learn to take the images the right way (and there is a ton of information on the internet how to do this), hire a professional to do this or take their art and have a professional scan the art. I would learn how to do this the right way as the last two suggestions are very expensive.
3. Follow the organizations rules, event and prospectus instructions completely
This means that in order to have your application and submissions handled and administered properly, read the application thoroughly and follow their instructions. It also, means that the application should be filled out entirely, with the correct amount of images and the image files labeled properly, according to the organizations specifications.
In many instances, files are not labeled at all. This may set the artist up for not getting their art viewed at all, as there is then the possibility that the files could get lost. For instance, for our monthly competitions we want the files labeled in the following manner: Artist Last Name, Entry Number, Competition Name, and Title of the art. It would look like this: Smith_1_Abstract_Title.jpg. This would allow us, at any time to locate and identify this entry. This is very important to an organization. This procedure is a simple right click on the image file and a “rename” like any other document. Take the time to do this whenever you enter an art competition.
Learn how to resize your image files according to the instructions provided for that competition. Besides an expensive program like Photoshop or Photoshop Elements, there are two other free programs Pixlr and Gimp that are more than adequate for this purpose. Just take a few copies of images that are not important to you and begin to experiment on how these programs work. The easier of the two programs is the Pixlr program. (See #5 below as it Relates to This Subject)
4. Try to submit and present art that relates
By this we mean that the art that you are entering should show a complete grasp and mastery with that particular media. As an artist, you may work within several different styles and media. Stay with one media for your entries as this is demonstrating to the judge that you do have a cohesive body of work. Your show’s entries should also relate in terms of media, color and style, all within the scope or the theme of that particular competition.
5. Choose the order of the images submitted carefully
Initially, competition judges and juries will view your images (projected together) from left to right and top to bottom. However, after this initial view they will come back to that group of images from bottom to top and from right to left (the opposite direction). This is where you want to have your strongest and best work, at bottom or the end of the group of images submitted (as this is where you want to draw the judges attention). This is also why you want to learn and master the labeling your image files properly, because you then control the order of the files, rather than by some digital random basis. (See #3 above as it Relates to This Subject)
If you are serious about being a “serious” artist, follow these tips and suggestions. After the art show opens, always try to view the art that got accepted into that show and then be as objective as possible with yourself (or have an knowledgeable art friend assist you) as to the possible reasons why your work was not accepted. It may not have been the quality of your art, but it may have been one of the other reasons, as stated above. Work on these tips and incorporate them into future submissions and your chances will go up dramatically for being accepted into your next juried art competition.
John R. Math, Light Space & Time Online Art Gallery
Light Space & Time Online Art Gallery conducts monthly themed art competitions and art exhibitions for new and emerging artists on a worldwide basis.
Energy Art Gains Momentum
May 2nd
“Some paintings vibrate with energy. Impressionists like Monet tried to capture light. Futurists like Boccioni portrayed motion and speed. Expressionists like Van Gogh conveyed emotions. These qualities – light, speed, emotion – are variations of energy. Energy is one of the most ephemeral qualities to depict.”
So begins the definition of this new art movement, begun in 2008, which is creating waves as an exhibition in Veliky Novgorod, Russia this month. The Energy Art Salon 2011 is an international effort by artists who create art which shimmers, pulsates, and crackles with energy, or the depiction of what energy can do. Reaching outside its roots in North America, this second annual salon is bringing an exciting experience to audiences worldwide.
Members believe that enhancing their creations with energy – either in composition or in subject matter – adds artistic value to their
depictions. The Movement strives to follow a progressive trend of forward evolution in the Fine Arts, while embracing both traditional and digital media.
Movement Organizer Giogio Vaselli explains that 99 artists submitted work, hoping to be included in the exhibition, which includes 43 works of art. The call for artists and competition took place on Facebook.
He describes the entries as being of exceptional quality, and many great pieces had to be turned away. He states, “The point of the competition was not the idea of ‘competing’ itself, but rather, the selection/curation of the art by the public for the Energy Art Salon 2011 which opened just a few days ago in Russia. This was a step towards our announced long-term goal: becoming an increasingly democratic vs. centrally-run art movement, ie. an open art movement. Currently movement membership is application/invitation-only, to ensure our values and standards in this initial period since our founding in May of 2008.”
Why was Facebook chosen to solicit entries? Vaselli states, “As expressed in an essay of mine, I have great faith in the opinion of the public, and since Facebook has recently become the third largest country in the world, spanning multiple countries, it was a natural choice for handing over the task of curation, via the preliminary competition. The public’s opinion was weighted with that of our featured members.”
Other venues are also used to gain publicity and promote Energy Art as a movement. He explains, “We have maintained an online presence via various channels since our founding, with our website remaining our central headquarters. About a year ago, Facebook has become our secondary headquarters, in order to maintain our connection with the public. We create primarily for the people, and we hope to eventually be run by the people.”
“In addition, we have profiles and groups on DeviantArt (primary headquarters at our founding), Flickr, and Fine Art America, where we accept submissions from any artist, who may also be invited this way.
Considering that we are not merely an online phenomenon, but are also having our fourth international real-life exhibition, the Movement tends to attract some level of media attention, which is clearly key to reaching a mainstream audience.”
Featured Artist Bill Werle
Dec 27th
Artsy Shark presents the wildlife portfolio of painter Bill Werle, and the compelling story of his journey as an artist. Enjoy the rest of his portfolio and get additional information about Bill by visiting his website and his blog.
The very first painting I ever did, meaning the first time my hands put paint to canvas, won an award and garnered me a scholarship to the Minneapolis Institute of Art and Design. I’d been a prolific pencil artist up to that point. I had sketchbooks full of drawings but until my senior year in high school had never been exposed to painting. Needless to say I found my life’s calling and the paintings thereafter just flowed off my fingers. It’s my one regret in life not taking charge of my life and pursuing that scholarship.

I moved out west to Spokane, Washington a few years after high school and continued to pursue my love of painting nature. I was on my way to building up a career in painting. I was selling paintings here and there and started to get my name out when life happened. You know how life can sometimes become a train wreck and you dangle off the trestle for a bit. It happened and part of the fallout from that was I turned my back on painting as a career for the next 15 years. There is an interconnection between an artists feelings and the canvas and I tried my best to sever that tie. Oh I still painted but it was more as release valve than anything.

While I drifted from job to job searching for myself I went back to school and got a degree in computer networking. The past ten years I worked as a computer network engineer or admin. It was not my calling and despite my love of the Internet and tech related stuff I still heard the little voice whispering with every painting “you are an artist and you can’t hide from it.”

Fifteen years after destroying my inventory of paintings and throwing away anything that reminded me of who I was I could no longer ignore that nagging voice in my head. I turned 40 and realized after I completed a painting around that time that the clock was ticking. It was time to suck it up and do what I was born to do and that was create colorful wildlife art infused with a lot of heart and soul then share it with the world. You might say that instead of a new girlfriend and a corvette my mid-life crisis was to get a tattoo and follow my heart again. Just a side note here, the kids were ok with the corvette but my wife nixed the girlfriend idea. Go figure.

My work is better now in that I do have those extra years under my belt. I know what I want to say and I hope what I say through my paintings helps you. I tell a story in each painting in hopes that you reflect on your story and make it better moving forward. I use wildlife to tell the story because that’s my “happy place”. That’s where I feel the most creative and where I experience boundless joy. The colors, animals and forms in nature are a visual rock concert to me. I feel the energy when I’m hiking a trail up a mountain through a huckleberry patch in the heart of Grizzly country. I feel the vibrant waves of nature reeling in a 16 inch rainbow and nothing calms my soul more than that first push off of shore in my 18 yr old canoe. That gentle silence envelops my heart like a mothers heartbeat soothes a newborn.
I paint because I have to.
Vision and Strategies for Artists
Nov 8th
Artsy Shark is proud to present guest blogger Rhonda Schaller. This article is Part 1 of a 4-part series (Unedited. Because yes, it’s just that good!) Enjoy and learn from a coach and visionary.
Creating a DIY Strategy for Exhibiting Your Work - Part 1
by Rhonda Schaller
Rhonda Schaller is an artist, gallerist, and creative/career/life coach. She is the Assistant Director, Career Development for New York’s School of Visual Arts where she teaches creative visualization, career strategies and professional development. She is the author of “Called or Not, Spirits are Present”, published by Blue Pearl Press and contributing writer for the upcoming book “Starting Your Career as a Fine Artist ” by Angie Wojak and Stacy Miller to be published by Allworth Press, 2011.
Pondering the Exhibition Alternatives
I want to talk with you about creating an alternative strategy to exhibit your work, and help you to create a DIY model (do it yourself) guide for success. I will share business tips that you need to learn to help you create the right strategies, and teach you how you can sustain an art practice and career path on your own terms.
The art business is a marketplace driven business, like stocks, like real estate it depends on the economy. And like stocks and real estate, the art world revolves around people and psychology. Are they saving or are they spending? In the market place this is called behavioral economics. How does this effect you as an artist? Well, look at it this way: If your work is product based, meaning you make something tangible like a painting or a sculpture, you usually look to sell it. That’s economics.
If your work is experience based, like performance art or street art, you usually look for it to be funded. That’s also economics. When the behaviors of the marketplace change, the sellers and the funders have to change their models of doing business. This means for artists who are looking to either sell or fund their work, they need to change their models too. Where they show, how much they charge, and how they will create an audience that will support their work all have to be taken into account.
The good news is that everything is in flux right now, and a lot of the old models are dying and new models are rising up everywhere. This is good news, because the majority of artists were locked out of the old gallery models.
The trick for a sustainable art career in today’s market, is to create a practical but visionary plan. This means your business plan (yes, you need one) is based on a vision. It’s real for you, and you make it practical based on knowing yourself, what your vision is, what you want to accomplish, who you want to reach, and learning why people want to look at or experience your art work. And if you are looking to sell it or have it funded – what is its value in the marketplace given the state of the economy and the psychology of the community.
It’s not as hard as it sounds. You need to create an economic base for yourself, and an exhibition strategy in which you can share your vision with others. That’s what artists do!
The ultimate goal to keep in mind – is simply this – get your work seen
Your Own Path: Exhibition Alternatives in Alternative Spaces
Let’s take a moment and define alternative. It can be a space – where you show, it can be a strategy – why you show, and it can be a thought process – how you create your showing opportunities.
Alternative usually refers to any venue that is not a traditional commercial gallery in a traditional art center. An alternative mindset is a way to approach your career. You can do it through exhibiting in established alternative spaces and by developing an innovative, creative, entrepreneurial spirit and creating your own spaces.
Then, you can also add to that showing in commercial galleries as a part of your strategy.
The art world needs innovation, and as an artist you can dip into your well of creativity and create new models of how art is made, as well as shown, funded and sold.
Alternative #1: Create your own exhibition model
There are new groups and new ideas being created daily by fascinating business minded artists and innovators creating their own models. A great example of this is Nolongerempty, one of my favorites, here you have a collaboration of curators and artists working together in a private / public partnership exhibiting work in abandoned store fronts around the city.
Every where you look you will discover new models of community and art. Here is a way for you to engage in it, challenge your thinking process and creative process with a plan.
Try this to get some ideas on paper, this is a business plan exercise I like to help you choose your next steps in creating your own exhibition and getting your work seen and moving forward.
Make a show chart:
- What is your idea?
- What excites you about your exhibition idea?
- If you have a few ideas, what do you like best about each one?
- Where did this idea come from? How did you come up with it?
- How will you get others excited about your show? Who will you reach, invite and why?
- What steps can you take to turn your idea into a plan?
- How can you make sure your momentum is not lost?
- Who will you ask to help you? Who would make a good collaborator? Why?
- How will you research the right venues for this idea?
- Make list of 3 -10 possible venues, with pros and cons for each.
- Create a timetable with deadlines: what will you accomplish and by when
- Send out invitations and have fun!
Summer Artist Updates/Part 2
Jul 6th
More updates on our Featured Artists from the past six months, as they pursue their careers. Check and see what your favorite artists are doing!
- Has just posted his most recent oil painting on his website – see it here.
- Will be showing his work in the upcoming Santa Barbara Studio Artists’ Tour.
- Is now writing for FineArtViews.com on a regular basis. Read his latest article here.
- Has two pieces in an upcoming exhibition called “Energizing Radiance” at Gallery Fifty Six in Memphis, Tennessee.
- Her work is now available as framed and canvas prints and posters through Fine Art America.
- Three of her paintings: “Dream” , “Meeting each other” and “Blue kite and 2 swimming elephants” (shown above) were chosen for publication by the editors of “Faleze de piatra” magazine of poetry. See her blog for details.
- Has started painting a series of ten nudes, which she will be exhibiting in September.
- Is preparing two canvases for an upcoming exhibition in Alcoy, Spain in October and November.
- Was one of 11 finalists in the April 2010 Environmental Contest sponsored by the National Resources Defense Council. She entered 6 artworks based on water protection and conservation to NRDC Flickr Page NRDC: The NRDC Environmental Art Prize
- Was interviewed by Terri Dyer of the Reporter Ledger of Lakeland, Florida. See the article here.
- Has published two new books. Check them out here.
- Just posted a fun fashion show with her new plush designs.
- Updated her website.
- Will be participating in the Atlanta Midtown Festival of Arts in September.
- Is continuing to promote her book “No Longer Daddy’s Little Girl“, a inspirational book for fatherless young girls.
- Is leasing space at Wall Talk Art & Design in Northampton, Massachusetts to display her work, and working on watercolors. See her blog for details.
- Had her work published on a local magazine cover.
- Will be participating in a fine art show in West Springfield, Massachusetts in November.
- Has added new work to her website and updated her blog.
- Invites you to visit her decorative arts site and Etsy shop.
- Is working on new pieces for his “Dark Carnival” and “Requiem in Oblivion” series, which will be posted on his website. Check back frequently!
- Will be showing his work in the Latin American Arts Biennial in the Bronx, New York in September.
- Has an updated website.
- Will participate in a group exhibition/auction for The Scoop Foundation, a charitable organization.
- Preparing artworks to be exhibited at the Milkboy Recording Studios in Philadelphia, Pennsylvania.
- Is working on many commissions and has an updated website.
- Just returned from a visit to Cherrapunji, which is the wettest place on earth. He posted five paintings from his trip on his website.
- Is currently showing new work at a show called “Fluidity” at the Brush Gallery in Lowell Massachusetts.
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Featured Artist Leah Jay



