Painter Kate Kern Mundie uses rich color and instills a sense of place in her stunning portfolio of landscapes. Visit her website to see more of her portfolio.

“Mainline” oil on panel, 16″ x 20″
My my desire to be an artist can be traced back to age five or six. I was perched on a stool in the studio of a painter friend of my parents while he and my father talked about his work. I took in the long tables, the paint and brushes, and the large freshly stretched canvases leaning against the wall.

“Christian Street” oil on panel, 16″ x 20″
We had neighbors who were artists, too—one taught me silkscreen printmaking, another showed me how to paint with gouache. As a teenager, I would walk around noticing buildings, trees, or the way light fell across the street and think, I want to draw this. I want to paint this. The seeds of a landscape painter were there.

“Yellow House” oil on panel, 10″ x 10″
I studied printmaking at the Pennsylvania Academy of the Fine Arts, a medium that gave me the structure and discipline I needed at the time. Drawing was always at the core—essential to printmaking, but also to painting.

“Stonington House Morning” oil on panel, 11″ x 14″
After college, without access to a print shop, I shifted into landscape painting, especially plein air. A residency on Cape Cod in my twenties launched me into painting directly from observation. I’ve continued to learn through peers, mentors, and my own explorations.

“Trains Resting” oil on panel, 20″ x 16″
My real driving interest, though, is color. I love how a shift in palette can make you see something familiar in an entirely new way. I experiment constantly, researching historical palettes, reading about what pigments were available to painters of the past. Those discoveries are translated into my own mixtures today.

“Rossi House” oil on panel, 12″ x 9″
Most of my paintings come from the two places where I spend the majority of my time: Philadelphia, with its bridges, industrial edges, and historic neighborhoods, and Deer Isle, Maine, with its tidal waters, rocky coastline, and shifting fog. Both places have shaped my work, and I move between them each year.

“Christian Street Summer” oil on treated paper, 8″ x 8″
I work in oil, gouache, and watercolor, often on paper or small panels so I can keep my hand loose and responsive to light.

“Pickering Cove” oil on panel, 12″ x 9″
I regularly exhibit my paintings at F.A.N. Gallery in Philadelphia, Station Gallery in Greenville, Delaware, and Carver Hill Gallery in Camden, Maine.
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