Taking dictation from the Creator, I learned to accept each brush stroke as a gift. Not to mess with it but to accept it as gift given, however imperfect it may appear.
Featured Artist Aleta Gudelski
I try to infuse my paintings with the passion and love I feel towards nature and creation. I do this through dynamic composition, juxtaposition of bold brush and palette knife work, textural passages and notes of unexpected color.
Featured Artist Martein Peeters
For many painters the naked body was and still is the ultimate object of study. Nothing is as complex as the organic shapes and colour nuances of the human skin of a posing body.
Featured Artist Lisa Cunningham
Pastels are so wonderfully tactile and allow me to draw fine details or lay in large blocks of color. Textured patterns or smooth transitions, there really are no limits to what this medium will allow me to create.
Featured Artist Diane Weiner
My cow series represents sixteen years of exploration of bovines—studying their personalities, interactions, general nature and anatomy. I complement my decades-long classical training in the style of the Great Masters with more abstract colors to drive an emotional response from the viewer.
Featured Artist Don Rankin
I think this is a great time to be a watercolor painter for we have so many wonderful toys from which to choose—new paints, new paper and the like.
Featured Artist Catherine King
First and foremost, my intent is to tell a story. Through digital fine art I share that story. My images are typically photo collages brought together and enhanced through a wide range of techniques and software including Photoshop.
Featured Artist Lyndall Bass
Still life for me is pure poetry. Which objects I choose to paint and how they are arranged is an enriched process. I imagine a setting with a person doing something or a narrative series of events. With flowers as the subject, I can paint them like portraits or as an abstract arrangement of color ideas.
Featured Artist Haylee McFarland
Everything I do is freehand. I never use rulers, compasses, magnifying glasses or computers. I primarily work in watercolor and pen and ink. My goal is to make the two mediums complement each other. I love the loose, almost messy watercolor, mixed with the intricate details that I hand draw on top.
Featured Artist Ira Kennedy
I am fascinated by the alchemy of colors—in particular, the gradations of color achieved through the optical blending of dots.
Featured Artist Tom Kelly
I have come to realize that when I use different colors on everyday objects like fruit, flowers, cars, houses, cityscapes and the sky, things look a lot different.
Featured Artist Deborah Tilby
I have been told that the term that best fits my work is Contemporary Impressionism and I quite like it. It is representational but not realism.
Featured Artist J.W. Hyatt
In my still life collection, I like to compose and portray the objects I paint as subjects sitting for a portrait. Just as a portrait artist would attempt to show the character and personality of each subject, I approach each still life with the same challenge of capturing its unique gestalt.
Featured Artist Rocio Villanueva
In each photograph, I develop a story that is represented in parallel worlds, in scenarios that belong to an unreal dimension—without time—somewhat fantastic and romantic.
