Artist Cecile Michel presents a collection that reveals hidden stories, whimsical memories, and a remarkable technique. Visit her website to see more of her portfolio.
“The Quiet One” graphite pencil and charcoal on paper, 78” x 45”
As a child, I loved drawing, daydreaming, creating, and writing stories, but I believed my skills were fixed. Whatever I could do at 10 was the best I would ever be. So, drawing remained a hobby for most of my life.
“Once Upon a Time” graphite pencil and charcoal on canvas, 48” x 36”
My parents travelled a lot for work. When I started my retail career, I moved from France to England before finally settling in Australia. I met interesting characters from all walks of life, and realised how important friends and family can be.
“By the Dozen” graphite pencil and charcoal on canvas, 20” x 20”
During COVID, like many, I had more free time and reevaluated my life, deciding to take drawing seriously. I taught myself realism, focusing on strong contrasts and likeness, drawing everything I encountered and manipulating reference photos to add hidden messages. An unexpected solo exhibition opportunity opened new doors—introducing me to deadlines, passionate people, and new learning experiences.
“Chaos in the Kitchen” graphite pencil, charcoal and acrylic paint, 30” x 24
Traditionally, pencil drawings are framed and protected behind glass, but I found this process delicate and frustrating. It prompted me to experiment with stretched canvases.
“Cimb to the Top” graphite pencil and charcoal on acrylic paint background, 36” x 24”
The textured surface challenged me to adapt my techniques. Instead of relying on different graphite grades for tones, I now use a single pencil and various makeup brushes to blend and push the powder into the canvas, often employing fine erasing to add intricate details.
“Mixed Tape” graphite pencil and charcoal on canvas, 48” x 36”
For a long time, I avoided portraits because capturing likeness was difficult, but last year, after practicing more and winning first prize at a local art show, I realised that portraits are less about accuracy and more about emotion.
“In Spirit” graphite pencil and charcoal on canvas, 48” x 36”
Just a few lines can evoke sadness, empathy, or connection—hidden behind every wrinkle, scar, and smile are memories, stories, and experiences that viewers interpret uniquely. As an artist, I write the first line of a story. Yhe viewer writes the rest.
“Tasman Island” graphite pencil and charcoal on canvas (Finalist at the Glover Art Prize 2026), 48” x 36”
It is still important for my mental health to draw serious portraits as well as fun objects: the portraits let me express myself and help connect strangers, whereas the quirky objects help reset my mind and bring a smile to people’s faces.
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