Featured Artist Christie Mellor

Christie Mellor presents a series of figurative paintings that share dark stories, drama and mystery. Visit her website to learn more about her work.


painting of people playing cards by Christie Mellor

“Game Night at the End of the World” oil on panel, 48″ x 36″


I was a working actor for years in Los Angeles doing guest spots, commercials and voice-over work. I wrote a few scripts with my husband by night as we raised our kids by day. Then I wrote a book—The Three-Martini Playdate—which ended up getting published and being a bestseller.


painting self portrait of artist Christie Mellor

“And the Sun Comes Up” (self-portrait work in progress)


I wrote four more books, and a few more scripts, with a writer friend. I sang Depression-era and original songs with my band Doozy. I never considered myself an “artist,” because drawing was just something I did on the side. At some point I had an idea to paint a series of portraits on found drawers and boxes, acrylic portraits I called “Your Bartender,” incorporating bartending tools, ephemera and keepsakes.


painting of people at a table by Christie Mellor

“The Sun is Setting on this Fine Old Town” oil on panel, 36″ x 30″


I was a little intimidated by painting, having had no formal training. But at this point I’m too old and impatient to spend another ten years doing studies and sketches, which I know is a terrible attitude! If I have a picture in my head, I want to paint it.


painting of people having cocktails by Christie Mellor

“Cocktails with Gary” (portrait commission) oil on panel, 24″ x 18″


So, I start painting and figure it out as I go. I’ve picked up tips along the way from artists I admire. The internet can be helpful.


painting of a girl with a bird by Christie Mellor

“Anywhere but Here” oil on panel, 24″ x 36″


When our youngest son left for college, we decided to move from our Los Angeles house of twenty-four years to a 550 square foot New York apartment; so of course, that’s when I decided I had to teach myself to paint in oils—when my studio went from a huge, light-filled room to an 8 x 10 kitchen. Painting in a tiny New York apartment kitchen really drives home the point that if you want to paint, you can paint anywhere.


painting of people at a dance

“Dancing at the End of the World” oil on scrap panel, 48″ x 36″


I started a series I called “Paintings at the End of the World,” and I think everything I paint now is part of that series. I look at my paintings like they’re pages from some giant picture book of allegories and dark fairy tales. I generally start with a face, because I love painting faces. Faces caught in the middle of a drama or mystery. I have a story to tell you, but I can only tell it in pictures. What I love about oils is the ease with which I can change faces and expressions—repaint and redo—just like writing is always better after many rewrites.


painting of a seer by Christie Mellor

“The Seer” oil on panel, 24″ x 18″


A lot of my friends think I’ve painted myself in the faces I paint. If that’s true, it’s not intentional, but sometimes their expressions mirror my state of mind. I know I’ve accidentally painted my mother at least twice.


painting of people at a party

“This Good Old Ship is Sinking” oil on panel, 48″ x 36″


I’m inspired by John Singer Sargent, Max Beckmann, Alice Neel, Lucien Freud, Balthus, Maira Kalman, Bruce Gilden photographs, too many artists to name. Dorothea Tanning, wow. Neo Rauch is dreamy.


painting of people by Christie Mellor

“Still Among the Living” oil on panel, 24″ x 16″


When I get a portrait commission, I don’t necessarily think it’s because they want a picture of themselves, but maybe because they want to live in one of my paintings.


Artist Christie Mellor invites you to follow her on Instagram, Twitter and her other Website.


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  1. “…at this point I’m too old and impatient to spend another ten years…” (fill in blank)
    Yes. The “elastic perspicacity of consciousness” has a short attention span at our age.
    Onward through the lapses!
    Love your work’s diversity and accomplishment.

    “Poets–with or without prizes–survive.”
    Octavio Paz
    October 11, 1990

  2. Thank you so much, glad you understand! – christie

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