A Site for Emerging Artists
What You Didn’t Know About Starting a Greeting Card Line (Part 3)
By Carolyn Edlund
More insider perspective, this time on Marketing and Sales
- How should you price your cards? This depends on your costs, and the profit you desire. The average card on the market runs about $2.50 retail. You will be paid the wholesale price (1/2 of retail) so a pack of six cards would sell for $7.50. Cards with special details, such as glitter, rhinestones, special folds, etc. sell for more. Quite often these specialty cards are wrapped in cellophane to protect them. Meri Meri has a beautiful line which is expensive but sells well. Don’t underprice your cards hoping for better sales – it won’t work in the long run, and you devalue your work and cut your profits.

- What about minimums? That’s up to you. Remember, you are not “consigning” your cards – they are sold outright and you get a check or credit card number from the store buyer. If you want to set a minimum of $100, that’s fine. You want to have a good enough assortment of your cards in the store. However, I have seen companies use a “no minimum” policy – and if the buyer wants it, they almost always write a good sized order anyway.
- What about returns? The reality of the card business is that you must accept returns to make more sales. A 10% return allowance is very fair. This means you will allow the return in exchange for different (and better selling) merchandise within a repeat order, not a refund.
- Should you have sales reps selling your line? My opinion on this is Yes! Most importantly, hire really good reps. I’ve been on both sides (as a production artist and as a rep myself), and can tell you that a bad rep is useless and a good rep is a goldmine. Why? Reps have established relationships with their wholesale accounts, can really showcase your line, get your product great placement in a store, and bring you long-term profitable accounts. Most busy, successful store owners will rarely see a lone artist who walks in to sell them one card line. But they know and trust their regular reps whose multiple lines they buy. Savvy reps have heavy influence on buyers and can get you business you could never get for yourself.
- Where do you find a sales rep? Get familiar with trade journals like Giftware News. You could list an ad for a rep at Great Rep or Rep Source , visit a trade show like the Stationery Show, advertise for a rep on your website or speak with other vendors in your market. Reps often work in groups, and sell complimentary lines.
- Treat your reps well. Sales reps work on straight commission. Standard commission on card lines is 20%. That might sound like a lot, but they have lots of expenses, and a successful rep is well worth the money. Plus, by using reps you can sell all over the country, and that’s a lot of potential business!
- What about niche markets? You might have a line that appeals to a certain group. One example is Sandi Timberlake’s card line called A Little to the Left which is designed for a gay audience. We talked about her marketing, and I suggested that she partner with other vendors who are selling wholesale to stores that cater to the gay community. You may share a rep who calls on this niche market and can cross-sell many lines into a store looking for a certain type of merchandise.
- Should you exhibit at a trade show? They can be very pricey, and to justify exhibiting at a show you need an extensive product line (or partner up with someone selling a complimentary line to your target market). Trade show attendance has fallen off in recent years. A website would showcase your card line less expensively while being accessible 24/7. If you can afford to do trade shows, you can meet tons of prospects and buyers for huge accounts and chains stores too.
- Why shouldn’t you just use CafePress or Zazzle to print your cards? These online “Print on Demand” vendors have an ingenious business model, and they create printed merchandise one-at-a-time. If as an artist you prefer to focus on your studio work and offer your designs on cards, mugs or t-shirts as a sideline, you may want to use them. However, if you want to get into the greeting card business, and pursue it full time, it is much more cost-effective to use a commercial printer. You will find that the cost to you for each card and envelope will be literally pennies whereas Zazzle, for example, charges artists $1.49 per card. Although they have a place in the market, they would be a very expensive middle man.
- What other alternatives are there? You could sell your art to a greeting card company, via a licensing agreement. The card company will take care of writing the greetings, production, marketing, and sales of the merchandise. I have an interview coming up with some of these buyers, so check back on this site to get details on what they buy, and the type of art they are seeking.
| Print article | This entry was posted by admin on January 1, 2010 at 11:53 pm, and is filed under Articles, Business of art, Greeting cards. Follow any responses to this post through RSS 2.0. You can leave a response or trackback from your own site. |
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Featured Artist Natalie Abrams




about 2 years ago
Thanks so much for sharing this information. I found it very helpful!
about 2 years ago
Thanks Chuck – I have lots more information and some really interesting interviews, so stay tuned!
about 2 years ago
Thank you so much for this information. With so much to thnk about it’s nice to have someone in the know telling you the way it is, and what not to do, becuase you have experience and because you have been on both sides of the fence. I will be be following your blog more often.
about 2 years ago
Article 1, 2 & 3 were packed full with good info. Any chance this is available in one PDF for my own future reference. I’d like to share with my husband and business manager. Thank you.
about 2 years ago
Natalie,
The three part article is assembled into one on Squidoo – search for Artsy Shark there, it is my only post so far. Due to their space constrictions, I did condense it somewhat, but I think all the pertinent information is still included. Let me know if you found it!
about 1 year ago
This has been terrific information for me. I am completely new to commercially offering my cards for sale. Question for you about the trade shows (specifically the NY Stationary Show), is it acceptable/appropriate to bring some card samples to show to propects, especially if the cost of a booth isn’t practicle at the moment?
about 1 year ago
Nancy, I would encourage you to go to the Stationery Show, to walk the show, get more information and see if you would like to exhibit in the future. It is not appropriate to take your own samples, and solicit business if you are not an exhibitor – in fact, it could get you escorted to the door if reported. I would suggest this – if you meet reps in booths, and find out about their multiple lines, take their business card, and follow up with them after the show if you would like them to consider repping you. And talk to exhibitors who are not busy, and if they are willing, about how they do business and whether they think the show is valuable. Never interrupt an exhibitor with buyers in the booth. If a buyer walks in while you are speaking, step aside and leave the booth. Going to a trade show before you exhibit is a valuable experience, and I’m sure the promoters would be happy to let you attend.
Does anyone else have suggestions about visiting trade shows before you exhibit?
about 1 year ago
Question on the selection of a printer – do you simply find a printer with the capabilities to do what you want at a reasonable (competitive) price, or are there certain types of printers that are best for greeting card production? I’ve always wondered about that. I also have questions about the quality of printing, and how one evaluates what’s possible in that area. Perhaps there’s an information resource you can point me to if these questions are too cumbersome to go into here. Thanks so much.
about 1 year ago
Thank-you for sharing all your information and knowledge about this industry! Very helpful info. Upfront and honest I love it! I am hoping to get my greeting card company expanding to a distributor or sales reps asap. I have been doing the research, marketing, website, designing and selling myself for 3 years. Now with 3 kids, it is time to pass off the sales side, but I have found it difficult to find reps/distributors. I am keen to read more of your posts and learn more of your tips and tricks…
thanks again,
AM
about 1 year ago
How do card designers make that transition, from creating a $4.00 card, and selling it directly to the consumer for $4.00, and selling it wholesale for $2.00? It would seem you’d have to have located some major volume sales opportunities to justify cutting your profits in half. Is that what people do, accumulate customers until they get to the point that selling wholesale doesn’t seem counterproducive??
about 1 year ago
Nancy, that’s a great question, and one that anyone new to wholesaling might ask. Pricing for wholesale comes from “the ground up” rather than “top down” as you indicate. If you have a product that you need to sell for $4.00 to make reasonable profit, then you cannot simply cut the price to $2.00. Instead, you might ask “What product can I make in multiples for $2.00/ea wholesale which will net me enough profit given all costs?”, then double that for retail. Consider your card production costs. Are you having these printed in high enough quantities, and is your printer reasonable? Does it make sense to you to sell one at a time, or would you rather sell 100 cards at once for a discounted price? There are many variables. I would never suggest that you just cut prices in half. However, given the effort to sell individual cards at retail, you may be able to cut your work time significantly by selling in quantity.