A Site for Emerging Artists
Posts tagged Networking
Increase Business by Building Your Personal Network
Aug 3rd
Want to gain more business through personal referrals and word of mouth? Who doesn’t? After all, personal recommendation is one of the most powerful ways to grow and expand your business.
Have you ever met someone who seems to know everybody? They have all kinds of business projects going on in different areas and just seem “successful”. It’s easy to see that they are operating on a higher level than just advertising and waiting for customers to come to them, or knocking on doors looking for leads.
These people have a network of connections – others who are happy to send referrals their way. They have become a “go-to person” who has established themselves and become a magnet for business.
You can create your own network of connections and start gaining personal recommendations too. Who can you network with? Just about anybody. Whether you pursue contacts through networking events, in professional organizations, in your neighborhood, church or social group – it’s up to you.
So, how can you network with people you would like to get referrals from? Here’s how:
- Keep in mind that it’s not about you. Ask others about their business, and show genuine interest. Find out what types of clients or connections they are looking for. Let them know that you are happy to refer business and that you will remember them. Tell them about yourself as well. Take their business card and email them later. You might arrange a meeting or lunch with them to get further information and get to know them better.
- Follow up. This is the most crucial step, and the one that is most often ignored. When you find good networking partners, you must build your relationship with them by future contact and letting them know that they are important to you. Poet laureate Maya Angelou once said “People will forget what you said, people will forget what you did, but people will never forget how you made them feel”. When others feel you sincerely want to be a strategic ally in their business, they will want to reciprocate.
- Freely give referrals to others without expecting anything in return. As you pay it forward, you will gradually start to see referrals come your way as well. These referrals will not necessarily be from the people you assisted. It may take time as you grow your network to see the fruits of your labor.
- Be open to receiving. There are two parts of referrals – giving them, and receiving them – two sides of one coin. Just as you gladly give referrals, with no strings attached, you should also be open to receiving referrals from others.
- Show your gratitude. There is an African proverb which says “Give without remembering and take without forgetting”. This applies here. Acknowledge those who have referred business to you, and strive to give referrals back to them. If you simply don’t have specific referrals for them, include them in social gatherings where they might meet others. Invite them to business events that may benefit them.
- Keep building more relationships. Work toward expanding your network on a regular basis. People may come and go in your life, but endeavor to stay in touch with key contacts by remembering birthdays or special events and communicating with them. As you grow your network, you will become known as a “connector” who benefits others by your referrals and introductions.
Create win-win relationships by giving referrals freely, staying connected with others and pursuing new contacts on a regular basis. It takes work, but with lots of practice it becomes automatic. A great side benefit of networking is that you can also develop many personal friendships as well. Resolve to take the first step and introduce yourself to someone you can help by giving your first referral.
Share Your Creative Spirit
May 26th
Have you ever heard of “Mana”? An ancient concept, Wikipedia defines it as “the stuff of which magic is formed, as well as the substance of which souls are made”. Think of it as a piece of the creative soul of an artist. When someone purchases your artwork, they aren’t just buying a physical product. They are obtaining a piece of your creativity, a connection to your talent and vision.
When you are in the position of speaking with the public about your work and presenting your art, are you creating an environment where those connections can be made? Or do you appear to be bored, distant or uncommunicative? By interacting with your audience, you share your creative spirit, and set up a memorable connection.
Tell the story of your art. Talk about what inspires you. Engage with your prospective collectors on a real, authentic level which says that you respect them as people, are interested in them, and have something of great interest to them. When they make the purchase, and hang your artwork in their home, give it as a gift or wear your creation, they will remember and talk about the story. This was the artist who traveled the world and got inspired in an unusual way. This was the artist who survived a near-death experience, or has suffered in some great way, or who has been very blessed and creates to celebrate that fact.
Customers buy for emotional reasons. Connecting to them on an emotional level establishes your personal value in addition to the value of your work. This enhances their experience and increases the likelihood they will purchase, speak about you and refer you. Maya Angelou famously said, “People will forget what you said. People will forget what you did. But people will never forget how you made them feel.”
Connection works physically as well. Observe body language, tone of voice, and gestures of the people you speak with. When your body language matches theirs, your voice level matches theirs, you make unspoken connections. How else do you forge a bond with your customers?
When a purchase is made, the buyer has something more than just the thrill of collecting art. They have made a connection, they have bought a treasure, they have received some of your “Mana” – your creative spirit.
7 Ways Artists Can Maximize Website Traffic
Apr 19th
How’s your art website doing, traffic-wise? Want to drive more visitors, and more customers to your site? You might be a beginner, but there are lots of ways to gain traffic effectively that don’t take a ton of experience as a webmaster. Some are incredibly simple.
- First, evaluate your website. You should have Google Analytics giving you stats that monitor and can help you improve your site and your SEO (Search Engine Optimization) through more effective use of keywords. Go to Alexa to see how your site ranks among all the other sites out there. As you expand the number of visitors and links into your website, you will see your rank improving.
- Next, check out Hubspot’s Website Grader. They will give you a rating, and suggest good ways to beef up your site and attract more visitors. Check out Blog Grader while you’re there.
- High page rank on Google is important for search engine purposes, and Google likes active sites. This means that frequent updates will help you. Sure, you may have your professional information and your gallery on the website, but adding a blog which is consistently updated and contains lots of links is a definite plus. About those links – you should link to lots of other sites, but also add “deep links” which lead to other pages within your own site.
- Here’s a simple technique. Add an automatic signature to your email, which lists your web page. This provides a link to everyone you send an email to, every time.
- Make it a priority to get backlinks. Links to your site from other sites will drive a lot of traffic and gain publicity. Commenting on other blogs, especially really popular blogs in your niche will create links to your own page. Always select “name/URL” to comment, and make insightful comments that may make readers curious and want to find out about you. Or ask a question that will spur more discussion.
- Another way to get backlinks? Give links to other websites. Find sites that you really like and want to help promote. Contact the owner and let them know you have linked to them. They won’t always link back, but often they will, creating ways for people to find you.
- Want to know where other successful artists are linking? Here’s a great way to find out, and it’s not unethical. Make a list of the artists you admire and their web addresses. Go to Yahoo and enter this into the search box: linkdomain:www.nameofotherartistwebsite.com. All of their backlinks will come up! You might decide that sites which feed into theirs would be a good place to make a blog comment, or even advertise.
This is just a start to getting publicity for your site which will lead to visitors, and customers. A terrific resource for artists, or any businessperson with a website, is Inbound Marketing: Get Found Using Google, Social Media, and Blogs (The New Rules of Social Media) by Brian Halligan and Dharmesh Shah. It’s a must-read to become as effective as possible in promoting yourself online.
The Art of the Follow-Up
Apr 10th
Recently I received several interesting emails from an artist in New York City. His name is Roc Cayard. What Roc “gets” about his career and how to further it, is that he must initiate contact and follow up. He mentioned in one message how many artists fail to have a “work ethic”, and I’m afraid I must agree. However, this extends to the general population as well.
The follow-up is essential in the sales process. If you have an art career, you are selling yourself and your work, and you are in business. If success is what you’re after, accept that fact and start making things happen in your life by initiating contact with those people who can help you in your career and follow up with them on a regular basis.
This involves calling them back – promptly. Returning emails. Get your materials together and have them ready to send out at a moment’s notice, because often the window of opportunity is small. How many opportunities have you missed because you weren’t ready and you weren’t prompt in following up? It is a fact in business that the longer the “sales process” takes, the slimmer the chances are of making the sale. This applies to artists, too.
Let’s say the opportunity you are seeking isn’t going to happen right away – what then? Here’s one example. An artist contacted me a while back, because he had expertise and information which could be helpful to emerging artists and was requesting to be interviewed. At the time I was swamped and asked him to get back to me in a month. One month later – to the day – I received an email from him, mentioning that he was following up, and he again requested the interview. I had a less hectic schedule and was ready to entertain his request. My answer was “yes, I will grant an interview, and help publicize you and your work while giving useful information to my readers.”
Think about what is happening with your art career, and check that you are indeed making contacts, following up on them, and organizing yourself on future follow ups so that you don’t miss out. Use networking to make those contacts, and make following up with them a priority.
Read my networking article , and you will see that I mentioned authors Harvey Mackay, Bob Burg and John David Mann in the text. All of them noticed (without being contacted) and subsequently followed up to thank me for the mention. Harvey even sent me an advance copy of his latest book. These are nationally-known authors, and yet they still take the time to follow up with everyone, because they “get” how networking and building relationships work.
How successful do you want to be? Think of the results you could have by staying in touch and following up with those who can help your career. Roc Cayard did. And here is his website. Please visit and mention that I sent you!
Assess Your Art Career /Interview with Ginny Ruder
Mar 6th
Ginny Ruder is a career counselor in the New York metro area, who works with clients on balancing art, work and social life with a focus on being successful and happy. We spoke recently about some ideas she has for artists who are making career decisions.
AS: You suggest that taking assessment tests can be helpful. What do they reveal?
GR: One assessment type uses the RIASEC code developed by John Holland. Holland’s theory of congruence asks the test taker to look at their interests and strengths and understand how they fit into a work setting. It can help the artist find a “day job” that may be more rewarding than data entry. He gives a three letter code to thousands of job titles. This allows you to explore job options that may be more fulfilling and discover a job where you will be most successful.
I like to use Holland’s Self Directed Search with artists. It can be taken on the Internet, but I recommend you review it with a professional. Many artists have the A- Artistic/Creative trait. They often have the S- Social trait as well. These indicate creativity, the ability to come up with new ideas, and the trait to want to help others; making the world a better place to live. BUT the third letter of the code that Holland gives to artists is E-Enterprising. The E types are those who make connections in business, they make things happen! In giving this assessment to artists, that E component is often at the bottom of the chart. To understand that you can be creative, but you need to get out and sell your work is often a stumbling block for many artistic people. I encourage these people to find an agent or business partner who will help them get into the public eye.
The other letters of the code are R- Realistic, those people who like to work with their hands, and not be stuck in a desk job. I- Investigative, those who are into details, making things fit together, researching information. C- Conventional, those who make order out of chaos, they are organizers. Professional artists can be any combination, though the A is typically the first letter of their code. The Social component is important if you are working with clients directly, i.e. fashion, interior design, teaching. And the other letters may be more important depending on the medium you use, i.e. new media and graphic design may have that I trait.
For artists still in a college setting, the Self Directed Search, or Strong Interest Inventory may be available to you through your Career Counseling Center on campus.
AS: How can artists re-evaluate their professional life?
GR: Many artists find themselves working to make the bill payments, or working to create their art and then find that they are trapped. They also need to consider their social life; do they have one and how much time does it take up? When these three areas are balanced, they may be more productive and happier. If one area is taking more time than the others, life may not be as satisfying or productive. I suggest that every few months the artist sit down and look at where they are spending time. Set new goals of more time in the studio, or more time networking at art venues. Family time may need to be re-calibrated. Many times we put the aspect of life or business on a back burner, but it may need to be cranked up a notch.
Are you too busy at your “day job” and you are not making time to draw? Are you too busy in the sculpture studio and you don’t know if you’ll have enough money to pay the bills? Are you afraid that your work will be rejected from a show? Are you avoiding your partner, because they feel you are never home? If you find you are really stuck with these concerns, you may need to meet with a professional counselor to help you get un-stuck. There are free services in many communities.
AS: Once they come to a realization of their strengths, how do you suggest they go forward and find rewarding work?
GR: Focus on your strengths and have an idea of which areas you want to use. Talk to people and explore what jobs are out there. Idealist and NYFA are two great sites to visit. Networking is really important – make connections and stay in touch with those people who interest you most.
Attend events where you will meet other artists and patrons. Let people in your circle know you are looking for a specific type of work. Volunteer or work part time where you can develop skills that are marketable. For example if you want to teach art, help at an after-school program or craft store. Working as an artist in a not-for-profit setting may be rewarding. Working in an art-based environment may allow you time to hang a show, travel or take a class, if it doesn’t interfere with the business getting done.
Keep in mind that every company and organization needs new ideas! Come up with new ways of doing something outside the box, and don’t be afraid to pass them on to someone else. If your creativity is not being tapped at work, re-think the job you are in, and find an environment that will allow you to be creative.
In the NY metro area, artists seeking career advice, can visit Ginny’s website. The National Career Development Association lists professional career counselors around the US. Or contact local colleges, who typically have a Career Development/Counseling Center and one of the counselors may have a private practice.






Featured Artist Sarah Tomlin







