During the painting process I try to capture their likeness in a photorealistic manner. I take my time—I am never rushed—I want my portraits to reflect my love and respect for the people with whom I share a very important journey.
Featured Artist Karla Reid
As a child, pouring my thoughts and emotions into my art acted as a means for survival. It was a way to express myself when I could not speak about the things that were going on around me.
Featured Artist Susan Melrath
When I paint, I am exploring color, texture, and patterns, and how they relate. Each painting begins with layers of pure color and grows through a process of glazing, sanding, adding, and subtracting.
Featured Artist Dorothy Fagan
Taking dictation from the Creator, I learned to accept each brush stroke as a gift. Not to mess with it but to accept it as gift given, however imperfect it may appear.
Featured Artist Aleta Gudelski
I try to infuse my paintings with the passion and love I feel towards nature and creation. I do this through dynamic composition, juxtaposition of bold brush and palette knife work, textural passages and notes of unexpected color.
Featured Artist Martein Peeters
Inspired by seventeenth century masters, figurative artist Martein Peeters uses dramatic lighting and poses to create intriguing and dreamlike visuals.
Featured Artist Diane Weiner
My cow series represents sixteen years of exploration of bovines—studying their personalities, interactions, general nature and anatomy. I complement my decades-long classical training in the style of the Great Masters with more abstract colors to drive an emotional response from the viewer.
Featured Artist Don Rankin
I think this is a great time to be a watercolor painter for we have so many wonderful toys from which to choose—new paints, new paper and the like.
Featured Artist Catherine King
First and foremost, my intent is to tell a story. Through digital fine art I share that story. My images are typically photo collages brought together and enhanced through a wide range of techniques and software including Photoshop.
Featured Artist Lyndall Bass
Still life for me is pure poetry. Which objects I choose to paint and how they are arranged is an enriched process. I imagine a setting with a person doing something or a narrative series of events. With flowers as the subject, I can paint them like portraits or as an abstract arrangement of color ideas.
Featured Artist Haylee McFarland
Everything I do is freehand. I never use rulers, compasses, magnifying glasses or computers. I primarily work in watercolor and pen and ink. My goal is to make the two mediums complement each other. I love the loose, almost messy watercolor, mixed with the intricate details that I hand draw on top.
Featured Artist Ira Kennedy
I am fascinated by the alchemy of colors—in particular, the gradations of color achieved through the optical blending of dots.
Featured Artist Tom Kelly
I have come to realize that when I use different colors on everyday objects like fruit, flowers, cars, houses, cityscapes and the sky, things look a lot different.
Featured Artist Deborah Tilby
I have been told that the term that best fits my work is Contemporary Impressionism and I quite like it. It is representational but not realism.
